Results 61 to 70 of about 3,324 (198)

Conspecific cueing or cooperative feeding?—Foraging stable flies are visually attracted to conspecific flies

open access: yesMedical and Veterinary Entomology, EarlyView.
In two‐choice laboratory bioassays, food‐deprived and CO2‐stimulated stable flies were offered paired landing platforms that were baited or not (control) with conspecific flies. The presence of conspecifics prompted the attraction and landing of foraging stable flies.
Emmanuel Hung   +4 more
wiley   +1 more source

Denotation of Stanza and couplet between the two sonnets

open access: yesمجلة كلية التربية للبنات, 2019
The stanza in the sonnet has been defined as a set of poetic lines followed after proem and be the same meter as that of proem in complete stanza, but in rhyme scheme different from that meter.
عبد المنعم عزيز النصر
doaj  

Long‐term stability of transcrestal sinus augmentation

open access: yesPeriodontology 2000, EarlyView.
Abstract Transcrestal sinus augmentation has emerged as a minimally invasive alternative to lateral window techniques for vertical bone augmentation in the edentulous maxilla. Since its early introduction and modification over the last several decades, this technique has demonstrated predictable outcomes for implant placement in regions with limited ...
Sandra H. Stuhr   +4 more
wiley   +1 more source

Catherine de' Medici and the Forest of Orleans: Queenly Participation in Early Modern French Forest Management

open access: yesRenaissance Studies, EarlyView.
Abstract This essay demonstrates how a gender‐informed, more‐than‐human lens can provide new ways to analyse how the role of a queen in forestry management was conceptualised by sixteenth‐century professional men. It explores these ideas as they are presented in a work published by Guillaume Martin, Lieutenant General of the forests and waterways of ...
Susan Broomhall
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

L’ombre de Caliste

open access: yesCorela, 2018
Gallant poetry flourishes in 17th century France. These mostly short poems emanate essentially from the salons, places of upper class sociability. Many of the texts resemble each other and form a textual network, relying on the social network of writers.
Miriam Speyer
doaj   +1 more source

Free Expression and Coerced Choice: The Role of the Army and Lord Protector in Miltonic Freedom

open access: yesRenaissance Studies, EarlyView.
ABSTRACT Scholarly approaches to understanding freedom in Milton's prose tend to connect Milton's ideas to either liberalism or republicanism. Neither of these approaches is sufficient because freedom, for Milton, was not a single concept. Milton explored political and religious freedom very differently.
Benjamin Woodford
wiley   +1 more source

The Russian Sonnet

open access: yesStudia Metrica et Poetica
This article describes the Russian sonnet as a verse structure. Highlighting the many deviations and innovations poets introduced – from adapting Petrarchan and Shakespearean models to radical experiments – the study shows how the sonnet’s diversity has
Barry P. Scherr (1945–2024)   +1 more
doaj   +1 more source

CIVILIZATIONS CONCEPTS «RUSIIA», «STATE» AND «GOVERNOR» IN THE ART EXPRESSION OF RUSSIAN NATIONAL IDENTITY: SONNETS ON THE HISTORICAL SUBJECTS OF G.V. GOLOHVASTOV

open access: yesГуманитарные и юридические исследования, 2021
The article is devoted to the concept sphere, including deep foundations of the Russian mentality in sonnets of Russian «American» G.V. Golohvastov.
A. V. Ostankovich, A. D. Fokina
doaj  

Obesity and the Politics of Taddeo di Bartolo's Inferno

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley   +1 more source

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