Results 1 to 10 of about 10,176 (169)

Natural sound archives: past, present and future [PDF]

open access: yesAnais da Academia Brasileira de Ciências, 2004
Recordings of wild animals were first made in the Palearctic in 1900, in the Nearctic in 1929, in Antarctica in 1934, in Asia in 1937, and in the Neotropics in the 1940s. However, systematic collecting did not begin until the 1950s. Collections of animal
Richard Ranft
doaj   +5 more sources

“Well… if the professor told you so… who am I to disagree?”. The impact of academia on community knowledge and a strategy from the archive [PDF]

open access: yesMuzikologija, 2022
The impact of academia on cultural heritage is yet to be scrutinised. The intangible cultural heritage (ICH) constitutes a particularly fragile domain because it is so open to the influence of researchers and bodies of reputation, such as the ...
Félix Pedro
doaj   +1 more source

Vaticinios en torno a la transición del archivo digital sonoro al multimedios

open access: yesRevista Interamericana de Bibliotecología, 2023
The following reflection is the result of recent research, through which the transition from the sound archive to the digital multimedia archive is observed as a contemporary phenomenon that is placed in the digital ecosystem. The
Perla Olivia Rodríguez Reséndiz
doaj   +1 more source

Reavaliando o Movimento Moçambique Livre: a construção sonora do assalto ao Rádio Clube (7 de Setembro de 1974)

open access: yesLer História, 2022
After the military coup in Portugal on April 25 1974, negotiations between FRELIMO and the Portuguese government progressed and culminated in the Lusaka Accord signed on September 7, 1974, which postulated the complete transfer of power to FRELIMO ...
Marco Roque de Freitas
doaj   +1 more source

Sound Art and Pandemic: A Documentary Soundscape

open access: yesSymbolon, 2022
The pandemic has temporarily changed our lives; there is no doubt that we are rapidly moving into a digital and virtual society; however, we so far do not know when this change will end, despite the emergence of post-pandemic terminology.
Peirui Yang
doaj   +1 more source

“Let Me Come to Tell You”: Rethinking Gender, Colonialism, and Narratives of Modernity from the Northern Namibian Sound Archive

open access: yesNordic Journal of African Studies, 2023
This contribution to the special issue develops an argument about time and gender in African history in relation to historical sound recordings. Revisiting a case study from the Namibian sound archive I demonstrate innovative methodological strategies ...
Heike Becker
doaj   +1 more source

The Emergence and Persistence of Racialised Stereotypes on Dutch Television

open access: yesVIEW Journal of European Television History and Culture, 2021
Today, stereotypical and racialised imaginations of Muslims are pervasive on Dutch television. This article traces the history of Dutch television coverage of Muslim immigrants through the lens of the archive of Sound and Vision.
Andrea Meuzelaar
doaj   +1 more source

Sound Archives Accessibility [PDF]

open access: yes, 2016
The paper analyses the conflicting issues that arise when dealing with Intangible Cultural Heritage (ICH) held in audio digital archives, when the demand for open access conflicts with ownership rights and ethical issues. It describes two case studies in order to evaluate the procedures used for doing research on oral materials while respecting the ...
Calamai, S.   +2 more
openaire   +3 more sources

Ghost Gardens: The Intersection between Electronic Archives and Artistic Research

open access: yesINSAM, 2023
Drawing on the works of Jaques Derrida (1930–2004) – principally Archive Fever (1995) and Cinders (1987) – and Mark Fisher’s (1968–2017) Ghosts of My Life (2014) as interlocutors, I engage with concepts surrounding the electronic archive in artistic ...
Clare Lesser
doaj   +1 more source

Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial

open access: yesCuadernos de Literatura, 2022
This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music.
Damián Pérez Mezzadra
doaj   +1 more source

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