Results 1 to 10 of about 2,033,965 (336)
Access to the Sound Archives of the Bulgarian National Radio [PDF]
The aim of this paper is to review the sound archives of the Bulgarian National Radio (BNR). The accesses to different sound archives are analyzed. A case study for preparing a radio presentation using the existing archives is outline.
Anelia Krandeva, Silvia Emiryan
doaj +4 more sources
Natural sound archives: past, present and future [PDF]
Recordings of wild animals were first made in the Palearctic in 1900, in the Nearctic in 1929, in Antarctica in 1934, in Asia in 1937, and in the Neotropics in the 1940s. However, systematic collecting did not begin until the 1950s. Collections of animal
Richard Ranft
doaj +6 more sources
Sound Archives Accessibility [PDF]
The paper analyses the conflicting issues that arise when dealing with Intangible Cultural Heritage (ICH) held in audio digital archives, when the demand for open access conflicts with ownership rights and ethical issues. It describes two case studies in order to evaluate the procedures used for doing research on oral materials while respecting the ...
Calamai, S. +2 more
openaire +4 more sources
Who are sound archives for? This question is at the heart of reflections by ethnomusicology collection managers around the world, whether working in museums, universities, research institutes, or independent sound archives.Ethnomusicologists have a long-standing interest in making sound archives available outside the academic sphere.
C. Guillebaud
openaire +2 more sources
Europeana Sounds: an interface into European sound archives [PDF]
“We Are Your neighbors: dialogues through a Wall of Silence” by colectivo caliban stretches the limitations of academic knowledge production not only via its means of presentation, but also on the level of the research itself.
Ricarda Franzen
openaire +2 more sources
Sounding Out the Personal Archive
This paper is about working with archives—finding, accessing, making them intelligible, producing and curating them—and what this process looks like when we privilege sound as material, process, instrument, and logic.
Claudia Câmpeanu, Mara Mărăcinescu
doaj +2 more sources
“Well… if the professor told you so… who am I to disagree?”. The impact of academia on community knowledge and a strategy from the archive [PDF]
The impact of academia on cultural heritage is yet to be scrutinised. The intangible cultural heritage (ICH) constitutes a particularly fragile domain because it is so open to the influence of researchers and bodies of reputation, such as the ...
Félix Pedro
doaj +1 more source
Preserving and dissemination of digitised sound heritage in contemporary times: The potential of blockchain technology [PDF]
Following recent technological changes, the archival profession will reach the moment of surpassing previously dominant mediaspheres, in which sounds and images were stored in traditionally located archives.
Stojanović Dragana
doaj +1 more source
Despite increasing attention to the preservation and development of sound archives in academic research and cultural heritage institutions, they are yet to be more substantially embraced in larger theoretical debates on archival theory and practice ...
Emily Collina
semanticscholar +1 more source
Automatic Quality Assessment of Digitized and Restored Sound Archives
Archiving digital audio is conducted to preserve and make records accessible. However, techniques for assessing the quality of experience (QoE) of sound archives are usually ne-glected.
Alessandro Ragano +2 more
semanticscholar +1 more source

