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BlastoDB: first release of a community-driven multi-omics and epidemiological resource for <i>Blastocystis</i> biology and subtyping. [PDF]
Kwoji ID +13 more
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Acoustic monitoring for tropical insect conservation. [PDF]
Riede K, Balakrishnan R.
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The sound of a sound art archive
Journal of Writing in Creative Practice, 2014Abstract The foundation for this text is my 10xCD opus The Sounds of Ideas Forming (2008–2012), an archive of 318 sound files featuring content from art students, children and practitioners such as Yoko Ono, David Bowie, Chris Watson, Douglas Gordon, Lydia Lunch, Brian Eno and George Brecht.
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2021
Colonial regimes of sounds used to represent Inuit—what one might shorthand as “the Sound of Eskimo,” an Arctic complement to Deloria’s “Sound of Indian”—can be traced back to cue sheets, scores, and soundtracks that accompanied Robert Flaherty’s Nanook of the North (1922). A lack of musical and cultural specificity granted to Arctic Indigenous Peoples
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Colonial regimes of sounds used to represent Inuit—what one might shorthand as “the Sound of Eskimo,” an Arctic complement to Deloria’s “Sound of Indian”—can be traced back to cue sheets, scores, and soundtracks that accompanied Robert Flaherty’s Nanook of the North (1922). A lack of musical and cultural specificity granted to Arctic Indigenous Peoples
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Database design for an archive of animal sounds
IEEE Engineering in Medicine and Biology Magazine, 2001Attached to several museums worldwide are sound archives, units dedicated to collecting, preserving, and making available to others recordings of animal sounds. In the case of the Borror Laboratory of Bioacoustics (BLB) at The Ohio State University, most recordings in the archive are the products of research by staff and students.
D A, Nelson +3 more
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2017
This entry provides an overview of sound archives, including reasons why sound archives exist, their history and organization; types of sound recordings collected, methods of description, and access to and preservation of recorded sound materials.
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This entry provides an overview of sound archives, including reasons why sound archives exist, their history and organization; types of sound recordings collected, methods of description, and access to and preservation of recorded sound materials.
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