Results 51 to 60 of about 5,124,997 (331)
Listening to the world. Sound, Media and Intermediality in Contemporary Sound Art.
SoundEffects, 2011 One of the newer tendencies in contemporary sound art is the use of scientific modes of data collection through laboratory set ups or field recordings, as it is for instance seen in media artist Anne Niemetz' and nano-scientist Andrew Pelling's The Dark ...
Anette Vandsoe
doaj +1 more source
Advanced Materials, EarlyView.The perspective presents an integrated view of neuromorphic technologies, from device physics to real‐time applicability, while highlighting the necessity of full‐stack co‐optimization. By outlining practical hardware‐level strategies to exploit device behavior and mitigate non‐idealities, it shows pathways for building efficient, scalable, and ...
Kapil Bhardwaj +8 more
wiley +1 more source
The Bodiliness of Listening: From Vibration to Meaning in the Psychology of Sound Art
Corpus MundiDespite the “sonic turn” in the humanities, the psychology of sound art retains a visual-centric and cognitive bias. The analysis of sound is often reduced to its semantic interpretation and emotional associations, while its fundamental, material nature ...
Anna M. Sosnovskaya, Alexander V. Markov
doaj +1 more source
Sperimentazioni estetiche: sound art e concezioni dell’ascolto sonoro
Rivista di Estetica, 2017 The goal of this article is to show that the recent tradition of the so-called “sound art” plays an important role in making explicit through artistic practice different accounts of the ontology of the sound and the phenomenology of sound listening.
Emanuele Arielli, Roberta Busechian
doaj +1 more source
Alter-Value in Data Reuse: Non-Designated Communities and Creative Processes
Data Science Journal, 2020 This paper builds on the investigation of data reuse in creative processes to discuss ‘epistemic pluralism’ and data ‘alter-value’ in research data management. Focussing on a specific non-designated community, we conducted semi-structured interviews with
Guillaume Boutard
doaj +1 more source
« Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
Pallas, 2021 This paper deals with the mnemotechnic specificity of the percussive sound. By focusing on the argumentative, rhetorical and cognitive operativity of the percussive sound that appears in the Greek and Latine rhetoricians’ writings and practices, it ...
Naïs Virenque
doaj +1 more source
, 2009 I have been thinking about ways in which the spoken word has been used in sound poetry and sound art as well as in pop, experimental and electronic music.
Ball, Steven
core
Advanced Materials Technologies, EarlyView.Transducers convert physical signals into electrical and optical representations, yet each mechanism is bounded by intrinsic trade‐offs across bandwidth, sensitivity, speed, and energy. This review maps transduction mechanisms across physical scale and frequency, showing how heterogeneous integration and multiphysics co‐design transform isolated ...
Aolei Xu +8 more
wiley +1 more source
Memory-making processes through sound art as a way of resistance in Colombia
Inscriptions, 2021 The article aims to analyze the work of art Cantos silentes en cuerpos de madera by Leonel Vásquez as an alternative narrative of the Internal Armed Conflict in Colombia.
Maria Paula Suarez
doaj
Sound art and the making of public space
Social & Cultural Geography, 2018 This paper draws on a collaborative sound art project that aimed to explore how sound art as a non-representational method might attract and produce new publics and re-signify iconic public spaces.
K. Wells, Ain Bailey
semanticscholar +1 more source