Results 1 to 10 of about 2,613,554 (382)
Dissonance: scientific paradigms underpinning the study of sound in geography
Fennia: International Journal of Geography, 2018 The objective of this article is to approach the different conceptions of sound – and its relations to the underlying scientific paradigms – that emerged throughout the history of geography.
Daniel Paiva
doaj +6 more sources
Geographies of Urban Sound [PDF]
The AAG Review of Books, 2014 Torsten Wissmann. Farnham, UK: Ashgate, 2014. x and 264 pp., maps, photos, tables, illustrations, bibliography, index.
Thomas L. Bell
semanticscholar +3 more sources
‘And she flies! Beautiful’: the dislocating geography of football sound
Coolabah, 2013 The overarching interest of this paper is in articulating the affective conditions of football’s play. It undertakes this through a consideration of the sonorous dimension of football, mapping its sounds across a framework borrowed from recent writings ...
Margaret Trail
doaj +6 more sources
Infernal Sound Cues: Aural Geographies and the Politics of Noise [PDF]
Modern Drama, 2005 Every time Hamlet dies, “the world,” as Shakespearian scholar Wes Folkerth puts it, “fills up again with sound […] To hear, Hamlet tells us with his final breath, is what it is to be alive”. While that sentiment would be rightly and hotly contested by the Deaf community, it strikes those of us who can hear and who have no experience of Deaf culture as
Beth Meszaros
openaire +3 more sources
Moving sonic geographies: realising the Eerie countryside in music and sound [PDF]
cultural geographies, 2022 This paper investigates how sound produces and transforms space and place as it moves and travels. In charting the movement of sound from field recording to music studio, and from rehearsal to performance space, this paper examines the aesthetic and affective geographies that are developed and the consequences of this travel.
Julian Holloway
openaire +3 more sources
Soundscapes: geographies of sound and music [PDF]
, 2020 The study of soundscapes encourages geographers to hear the world, paying attention to the diversity and specificity of difference as heard, and the production of space by and through sound. A consideration of music as organised sound is a particular aspect within this consideration but the geographer should pay attention to all natural and manmade ...
Daithí Kearney
openaire +2 more sources
PLoS ONE, 2023 Background Rural U.S. communities are at risk from COVID-19 due to advanced age and limited access to acute care. Recognizing this, the Vashon Medical Reserve Corps (VMRC) in King County, Washington, implemented an all-volunteer, community-based COVID-19
James Bristow +6 more
doaj +3 more sources
Representing Spatial Geographical Data via variations of Volume and Tempo in Sound [PDF]
, 2007 The majority of spatial data are represented visually which can lead to an overload of information if too many data are represented. This study explores and evaluates the methods of representing spatial data using sound, with the aim of increasing the ...
Bearman, N, Tate, N
core +3 more sources
Sound Art Geographies: Listening at the Limits of Audibility [PDF]
Geography CompassABSTRACT This paper explores the generative yet underexamined relation between human geography and sound art. Sound art has long been concerned with issues of spatiality, place and environment and yet interest in sound art from human geographers has been somewhat sparse, particularly when compared to the wealth of literature on visual
George Burdon
openaire +2 more sources
Traversing the Urban Soundscape: Black Sonic Geographies within The Minneapolis Sound [PDF]
AntipodeAbstractThis paper illuminates The Minneapolis Sound's emergence from the urban soundscapes of late 20th century Minneapolis. Turning to the 1960s and 1970s, I trace the genre's geohistorical emergence to a Black diasporic community who found within marginality the possibilities to spatialise an experimental world across the urban margins.
Zuhri James
openaire +3 more sources