Results 211 to 220 of about 68,016 (257)

Crumpling sound synthesis [PDF]

open access: possibleACM Transactions on Graphics, 2016
Crumpling a thin sheet produces a characteristic sound, comprised of distinct clicking sounds corresponding to buckling events. We propose a physically based algorithm that automatically synthesizes crumpling sounds for a given thin shell animation.
Gabriel Cirio   +2 more
exaly   +2 more sources

The synthesis of sound figures

Multidimensional Systems and Signal Processing, 2013
zbMATH Open Web Interface contents unavailable due to conflicting licenses.
Karim Helwani   +2 more
exaly   +3 more sources

Gestural Control of Sound Synthesis

Proceedings of the IEEE, 2004
This paper provides a review of gestural control of sound synthesis in the context of the design and evaluation of digital musical instruments. It discusses research in various areas related to this field and equally focuses on four main topics: analysis of music performers' gestures, gestural capture technologies, real-time sound synthesis methods ...
Marcelo M. Wanderley, Philippe Depalle
exaly   +2 more sources

Synthesis of Hand Clapping Sounds

IEEE Transactions on Audio, Speech and Language Processing, 2007
We present two physics-based analysis, synthesis, and control systems for synthesizing hand clapping sounds. They both rely on the separation of the sound synthesis and event generation, and both are capable of producing individual hand-claps, or mimicking the asynchronous/synchronized applause of a group of clappers.
Leevi Peltola   +3 more
openaire   +1 more source

Sound synthesis for impact sounds in video games

Symposium on Interactive 3D Graphics and Games, 2011
We present an interactive system for synthesizing high quality, physically based audio on current video game consoles. From a recorded impact sound, we compute a modal model, which we use to synthesize variations of the sound on the fly. We show that for many sounds greater quality is obtained by using the amplitude envelopes of the extracted modes ...
Brandon Lloyd   +2 more
openaire   +1 more source

The evolutionary sound synthesis method

Proceedings of the ninth ACM international conference on Multimedia - MULTIMEDIA '01, 2001
A mathematical model for interactive sound synthesis based on the application of Genetic Algorithms (GA) is presented. The Evolutionary Sound Synthesis Method (ESSynth) generates sequences of waveform variants by the application of genetic operators on an initial population of waveforms. We describe how the waveforms can be treated as genetic code, the
Jônatas Manzolli 0001   +3 more
openaire   +1 more source

A design of sound synthesis IC

Proceedings of 1998 Asia and South Pacific Design Automation Conference, 2002
This paper presents a design of sound synthesis IC for MIDI systems. It consists of a MIDI controller and a sound synthesis DSP. The IC was designed on 0.8 /spl mu/m standard cell library and tested in a sound module card on a PC.
openaire   +1 more source

Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks

Leonardo, 2009
Music neurotechnology is a new research area emerging at the crossroads of neurobiology, engineering sciences and music. Examples of ongoing research into this new area include the development of brain-computer interfaces to control music systems and systems for automatic classification of sounds informed by the neurobiology of the human auditory ...
Eduardo R. Miranda, John Matthias
openaire   +1 more source

Digital synthesis of impact sounds

Proceedings of the Audio Mostly 2015 on Interaction With Sound, 2015
Nonlinear interactions may impose several restrictions to numerical simulation attempts, in particular concerning the design of unconditionally stable algorithms. Such algorithms are required for real-time synthesis applications where virtual instruments may be modified on-line. One characteristic case of nonlinear interactions is that of impact sounds.
openaire   +1 more source

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