Results 251 to 260 of about 47,803 (269)
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2021
Using the evidence of the aural as intrinsic to mester de clerecía's mode of diffusion and reception as point of departure, this chapter examines sound as a wider and complex system of references, actualizations, and allusions that articulate and structure the mode in its composition, as part of its tools to effect meaning.
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Using the evidence of the aural as intrinsic to mester de clerecía's mode of diffusion and reception as point of departure, this chapter examines sound as a wider and complex system of references, actualizations, and allusions that articulate and structure the mode in its composition, as part of its tools to effect meaning.
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Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019
The design of New Musical Interfaces (NMIs) has been informed by principles and methods core to Human-computer Interaction. Largely, the field of NMIs remains focused on usability as it evaluates and designs interfaces. Both fields, however, recognize but still wrestle with the need to adopt a more humanistic approach to both design and evaluation.
Trevor Hunter +3 more
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The design of New Musical Interfaces (NMIs) has been informed by principles and methods core to Human-computer Interaction. Largely, the field of NMIs remains focused on usability as it evaluates and designs interfaces. Both fields, however, recognize but still wrestle with the need to adopt a more humanistic approach to both design and evaluation.
Trevor Hunter +3 more
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2022
Diese Diplomarbeit befasst sich mit der Entwicklung eines Hauses für Musik am Standort des Flughafens Wien, welches als Ort des Zusammentreffens, Musizierens und Auftretens dient. Es soll sowohl Raum für Performance, als auch Raum für Rückzug geboten werden.Bezugnehmend auf das Vorhaben, einen Kulturstandort am Flughafen zu entwickeln und Raum für ...
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Diese Diplomarbeit befasst sich mit der Entwicklung eines Hauses für Musik am Standort des Flughafens Wien, welches als Ort des Zusammentreffens, Musizierens und Auftretens dient. Es soll sowohl Raum für Performance, als auch Raum für Rückzug geboten werden.Bezugnehmend auf das Vorhaben, einen Kulturstandort am Flughafen zu entwickeln und Raum für ...
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2009
‘Soundscape’ is a crucial term to conceive how sound gives meaning to spaces and places. By filling not only time but space, sounds such as music help orientate the lives of all humans, as much as sight does. However, to be sensed, sound has to be embodied.
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‘Soundscape’ is a crucial term to conceive how sound gives meaning to spaces and places. By filling not only time but space, sounds such as music help orientate the lives of all humans, as much as sight does. However, to be sensed, sound has to be embodied.
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2022
<p><b>When you are listening carefully with your eyes closed, in a church, or a forest, you engage in attentive listening. Taking a moment to visualize the world from its sounds, a complete environment begins to form, rich in emotion, memories and spatial dynamics. We feel included in an auditory equivalent of a landscape.
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<p><b>When you are listening carefully with your eyes closed, in a church, or a forest, you engage in attentive listening. Taking a moment to visualize the world from its sounds, a complete environment begins to form, rich in emotion, memories and spatial dynamics. We feel included in an auditory equivalent of a landscape.
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Characterizing Marine Soundscapes
2016The study of marine soundscapes is becoming widespread and the amount of data collected is increasing rapidly. Data owners (typically academia, industry, government, and defense) are negotiating data sharing and generating potential for data syntheses, comparative studies, analyses of trends, and large-scale and long-term acoustic ecology research.
Erbe, Christine +2 more
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2018
In this chapter, the author presents how he developed different processes for collectively producing a series explorative soundscapes through interface creation and mechanical artifacts using specific constraints influenced by theories of art, design, and architecture. He shows how he worked with a design methodology that brought together an editor and
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In this chapter, the author presents how he developed different processes for collectively producing a series explorative soundscapes through interface creation and mechanical artifacts using specific constraints influenced by theories of art, design, and architecture. He shows how he worked with a design methodology that brought together an editor and
openaire +1 more source
Proceedings of the 5th conference on Designing interactive systems: processes, practices, methods, and techniques, 2004
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