Results 171 to 180 of about 1,011 (181)
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Understanding Learning Spaces Sonically, Soundscaping Evaluations of Place

Computers and Composition, 2018
Abstract We spend all our lives in spaces, whether those are digital spaces, public areas, institutional sites, or the spaces of our minds. These spaces are necessarily filled with sounds—heard, felt, imagined, or evoked. In thinking about what Purdy and DeVoss (2017) call the “infrastructures of writing,” and learning experiences of classrooms in ...
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Enhancing museum experiences: Using immersive environments to evaluate soundscape preferences

The Journal of the Acoustical Society of America
Research on indoor soundscapes is an emerging topic that aims to create more comfortable and supportive environments based on occupant perceptions and preferences. However, this topic remains under-explored in museum environments. This research addresses this gap by investigating soundscape preferences and their impact on the museum experience.
Milena J. Bem   +3 more
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Evaluating the Hospital Soundscape

Acoustics Today, 2008
Erica E. Ryherd   +3 more
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Soundscape evaluation method based on participatory design

Proceedings of Meetings on Acoustics, 2023
Yichun Lu, Siu-Kit Lau
openaire   +1 more source

Evaluation of Campus Soundscape Construction

Academic Journal of Architecture and Geotechnical Engineering, 2023
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Subjective Evaluation of Soundscape Recordings in the Psychoacoustic Experiment

2013
Soundscape is a term that describes a paradigm that shifts its focus from the harmful sound effects on humans (noise) to the full experience of sound in which people live in. Soundscape thus refers to a variety of sound sources that create the whole sound field.
Jambrošić, Kristian   +2 more
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EVALUATION OF URBAN SPACE AS A CONCEPT OF SOUNDSCAPE

International Congress on Noise as a Public Health Problem (ICBEN) 2011, 2023
JY LEON, PJ LEE
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Evaluating the Songbirds: Acoustic Analysis in a Typical Soundscape

This study examines how different songbird species influence human perception in varied acoustic environments. Six soundscapes, differing in loudness and sharpness, were played to two groups: a control group heard a children’s park recording, while an experimental group heard the same with added Eastern European bird songs.
Suhanek, Mia   +2 more
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