Results 171 to 180 of about 65,898 (226)
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Soundtrack

Communications, 1979
Soranzo Patrick. Soundtrack. In: Communications, 30, 1979. La conversation. pp. 211-222.
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Reconstruction’s Soundtrack

2014
Hurricane Katrina hit the Gulf Coast of the US on 29 August 2005, causing extensive damage throughout the region. The city of New Orleans was especially hard hit, first by wind and rain, then by a devastating storm surge that overwhelmed an inadequately maintained levee system and quickly flooded 80 per cent of the city.
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“Sound” Tracks and Soundtracks

2021
This chapter examines the importance of sound in films that narrate migrants’ and refugees’ failed crossings of the Mediterranean Sea, and the space that sound occupies in these narratives. It lays down questions aimed to help build a theoretical apparatus to think about clandestine migration in cinema through one of its main components: the aural ...
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Soundtrack recommendation for images

2013
The drastic increase in production of multimedia content has emphasized the research concerning its organization and retrieval. In this thesis, we address the problem of music retrieval when a set of images is given as input query, i.e., the problem of soundtrack recommendation for images. The task at hand is to recommend appropriate music to be played
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The Soundtrack of Recklessness

Journal of Adolescent Research, 1992
Adolescents with various musical preferences were compared. Adolescents who preferred hard rock or heavy metal music reported higher rates of reckless behavior, including driving while intoxicated, driving over 80 miles per hour, sex without contraception, sex with someone known only casually, drug use, shoplifting, and vandalism. Preferences for hard
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Kult-Soundtrack

2014
Filmmusik, John ...
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Narratology and the Soundtrack

2018
Chapter 6 focuses on narrative theories of film. It opens with a discussion of film narratology in general. The second section then covers narratological theories of the soundtrack, especially music, which was one of the first subsystems of film to have its theory rewritten in explicitly narratological terms.
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The Soundtrack of Conflict

2013
Since the early twentieth century, radio has been one of the most important media both generally and in the specific context of armed conflict. Relatively cheap and with the ability to transmit over long ranges – and over international borders – radio has become central to the wartime strategies of governments and guerrilla groups alike.
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Subaltern Soundtracks

Aztlán: A Journal of Chicano Studies, 2004
This essay suggests that the postrevolutionary Mexican presence in Los Angeles profoundly influenced the emergence and consolidation of film and other media there. In the 1930s, Anglo Americans and Mexicans were in conflict and competition over how to use new forms of audio mass media such as radio and sound films.
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Footsteps Soundtracks

Uploaded as part of the Supplementary Material of: Amar D’Adamo, Karunya Srinivasan, Laia Turmo Vidal, Daniel De La Prida, Luis Antonio Azpicueta-Ruiz, Aleksander Väljamäe, and Ana Tajadura- Jiménez . 2026. Taking a Walk on the Wild Side: Effects of Walking in Syn- chrony with Pitch-Altered Footstep Sounds on Body Perception in Outside the Lab ...
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