Results 121 to 130 of about 346 (148)
Walking, listening, speaking - The soundwalking interactions project
, 2012 Andra McCartney, David W. Paquette
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International Journal of Mobile Human Computer Interaction, 2014
This article outlines the ongoing development of a locative smartphone app for iPhone and Android phones entitled The Belfast Soundwalks Project. Drawing upon a method known as soundwalking, the aim of this app is to engage the public in sonic art through the creation of up to ten soundwalks within the city of Belfast.
Bass, Sarah, Rebelo, Pedro
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This article outlines the ongoing development of a locative smartphone app for iPhone and Android phones entitled The Belfast Soundwalks Project. Drawing upon a method known as soundwalking, the aim of this app is to engage the public in sonic art through the creation of up to ten soundwalks within the city of Belfast.
Bass, Sarah, Rebelo, Pedro
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The Journal of the Acoustical Society of America, 2021
Soundwalk protocols and procedures are formally established in ISO Standard 12913; the intention is a general reproducibility of results and to be able to compare soundwalk data for different walks, and even to bring the experience to the lab where it can be further examined.
David S. Woolworth, Bennett M. Brooks
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Soundwalk protocols and procedures are formally established in ISO Standard 12913; the intention is a general reproducibility of results and to be able to compare soundwalk data for different walks, and even to bring the experience to the lab where it can be further examined.
David S. Woolworth, Bennett M. Brooks
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Acoustic Ecology Review, 2023
We hear about wind voices in old myths, in novels, in poetry, in fairytales and in horror stories, and we can listen to them in today’s films and radio plays. Whenever wind touches an object it creates a sound—a sound which is unique for this specific acoustic event. Emily Carr perceived these subtleties very well, as we can read in her writings..
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We hear about wind voices in old myths, in novels, in poetry, in fairytales and in horror stories, and we can listen to them in today’s films and radio plays. Whenever wind touches an object it creates a sound—a sound which is unique for this specific acoustic event. Emily Carr perceived these subtleties very well, as we can read in her writings..
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Free River: A Literary Soundwalk
Acoustic Ecology Review, 2023If a river could tell a story, what would it sound like? This immersive literary soundwalk narrates the multivocal story of ariver which is the subject of a radical climate adaptation experiment: it is being set free from the narrow channel created forit by humans, and is being allowed to decide where it will go through the land.
Ellen Wiles, Nicholas Allan
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2018
This chapter presents the debate on the conceptual framework for the virtual soundwalk as a tool for soundscape assessment for use within urban design tasks and the management of urban open spaces. A hybrid model between a soundwalk in situ and a listening test in laboratory conditions is needed to gain benefits from both methods by simulating links ...
Bojanić Obad Šćitaroci, Bojana +2 more
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This chapter presents the debate on the conceptual framework for the virtual soundwalk as a tool for soundscape assessment for use within urban design tasks and the management of urban open spaces. A hybrid model between a soundwalk in situ and a listening test in laboratory conditions is needed to gain benefits from both methods by simulating links ...
Bojanić Obad Šćitaroci, Bojana +2 more
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Soundwalking in contested space
2022I am an artist researcher undertaking a Ph.D. by Published, Established, and Creative Works at Nottingham Trent University, entitled ‘Soundwalking in Contested Space’. Soundwalking is an expanding creative discipline with its origins in situationist practices and soundscape studies. Alongside numerous fellow artists and researchers, I am exploring the
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