Results 141 to 150 of about 623 (188)
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Socialist realism in Soviet cinema
New Cinemas: Journal of Contemporary FilmAfter the period of experimentation of the cinema of agitprop of the 1920s, the USSR develops after 1932 a dogmatic conception of ‘socialist realism’ in arts. Unsuitable for cinema, it will nevertheless be used to produce numerous films for more than thirty years.
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2003
Abstract Stalin’s daughter Svetlana Alliluyeva, while still a schoolgirl, was frequently taken by her father to the Kremlin theatre to see films until two in the morning. ‘How many wonderful films were shown for the first time on the little screen in the Kremlin!
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Abstract Stalin’s daughter Svetlana Alliluyeva, while still a schoolgirl, was frequently taken by her father to the Kremlin theatre to see films until two in the morning. ‘How many wonderful films were shown for the first time on the little screen in the Kremlin!
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A Quantitative View of Soviet Cinema
Cinema Journal, 1972The history of Soviet cinema has been extensively described in Englishlanguage books and articles on the subject by Babitsky and Rimberg, Dickinson and de la Roche, Leyda, Macdonald, and others.1 These writers have concentrated on the qualitative history of motion pictures in the USSR, describing the work of specific major film-makers and the ...
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2003
Abstract After Stalin’s death the Soviet film industry was freer to produce films of high artistic quality aimed at Western festivals and audiences. Soviet papers began to publish lists of foreign films they would like to see and to make appreciative comments about Italian neo-realism.
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Abstract After Stalin’s death the Soviet film industry was freer to produce films of high artistic quality aimed at Western festivals and audiences. Soviet papers began to publish lists of foreign films they would like to see and to make appreciative comments about Italian neo-realism.
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2003
In the 1960s and 1970s, an increasing number of Soviet films began treating the problem of artistic creation and depicting the writers, poets, musicians and painters of the past: Chekhov, Tchaikovsky, Vazha-Pshavela, Andrei Rublev, Sayat-Nova, Pirosmani, as well as some contemporary fictional figures such as the artist heroine in V ogne broda net ...
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In the 1960s and 1970s, an increasing number of Soviet films began treating the problem of artistic creation and depicting the writers, poets, musicians and painters of the past: Chekhov, Tchaikovsky, Vazha-Pshavela, Andrei Rublev, Sayat-Nova, Pirosmani, as well as some contemporary fictional figures such as the artist heroine in V ogne broda net ...
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World cinema at Soviet festivals: cultural diplomacy and personal ties
Studies in European Cinema, 2020Elena Razlogova
exaly
Ruptures and Continuities in Soviet/Russian Cinema
2017Beumers, Birgit, Zvonkine, Eugénie
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