Results 61 to 70 of about 446,260 (237)

Nuestro cinema. Número 16 [PDF]

, 1935
Nuestro cinema (1935). Nuestro cinema. Número 16.
Nuestro cinema
core  

Review of Damiens, Caroline. 2024. A Siberian History of Soviet Film: Manufacturing Visions of the Indigenous Peoples of the North. 

Open Screens
Review of Damiens, Caroline. 2024. A Siberian History of Soviet Film: Manufacturing Visions of the Indigenous Peoples of the North. Keywords: Soviet cinema, ethnic minorities, colonial filmmaking, Siberia, Indigenous filmmakers, ethnographic cinema ...
doaj   +2 more sources

Specificity of representation of the military past in the russian commorative and revisionist cinema of the XXI century

Концепт: философия, религия, культура, 2020
Based on theoretical studies of the phenomenon of cultural memory (M. Halbwax, F.R. Ankersmit, J. Zerubavel), the author analyzes the essence and mechanisms of commemoration in contemporary Russian military-themed cinema.
A. P. Petrova
doaj   +1 more source

Making Boundaries: Polish Memory, Identity and the Ukrainian Other

Nations and Nationalism, EarlyView.
ABSTRACT Political elites use historical references abundantly when drawing national boundaries. Despite the prominence of such language, we know little about the ways in which ordinary citizens internalise historical narratives of the Other to construct their national identity.
Félix Krawatzek
wiley   +1 more source

Nuestro cinema. Número 1 [PDF]

, 1932
Nuestro cinema (1932). Nuestro cinema. Número 1.
Nuestro cinema
core  

SOVIET CINEMAS DURING THE YEARS OF "STAGNATION"

Вестник университета, 2016
In the article the questions of distribution and right of Soviet cinema in the 1970's - early 1980-ies. The author examines the repertoire policy, the issues associated with the construction of cinemas, the state cinema, the issues of kinesiology and ...
M. Kosinova
doaj  

War Spoliations and Cultural Transfers: The Case Study of Soviet Cinema (1939-1949)

Connexe, 2019
This collection of articles is one of the last achievements of the scientific project called Cinema in the Soviet Union at war, 1939-1949. This project was initiated by Valérie Pozner (CNRS, Arias THALIM) and Alexandre Sumpf (University of Strasburg ...
Eric Aunoble
doaj   +1 more source

The Enemy Who Never Went Away: Memory, Nationalism and China's Japan Policy During the Cold War

Nations and Nationalism, EarlyView.
ABSTRACT This study reassesses the relationship between war memory, nationalism and Sino–Japanese relations during the Cold War. Contrary to the dominant view in existing scholarship that China's nationalist remembering of the war emerged during the 1980s and 1990s, this article, drawing on an extensive survey of the People's Daily, demonstrates that ...
Yi Wang
wiley   +1 more source

SOVIET CINEMAS DURING THE YEARS OF "STAGNATION"

Вестник университета, 2019
In the article the questions of distribution and right of Soviet cinema in the 1970's - early 1980-ies. The author examines the repertoire policy, the issues associated with the construction of cinemas, the state cinema, the issues of kinesiology and ...
M. Kosinova
doaj  

The Role of Mavka in the Articulation of Identity Under Conditions of War in Ukraine

Nations and Nationalism, EarlyView.
ABSTRACT This article aims to examine Mavka, a mythological forest spirit that has become a dynamic figure of resistance against occupation in the Russian‐Ukrainian war. Drawing on textual and visual materials from the Zla Mavka Telegram channel, the analysis conceptualizes Mavka as a symbolic framework that integrates three different identities ...
Miriam Billig, Nadia Iermakov
wiley   +1 more source