Results 91 to 100 of about 236,696 (265)
The Faculty Notebook, October 1996
, 1996 The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest.
Provost\u27s Office,
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To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis
Critical Quarterly, EarlyView.
Georgie Newson
wiley +1 more source
War as a Phenomenon of Inquiry in Management Studies
Journal of Management Studies, EarlyView.Abstract We argue that war as a phenomenon deserves more focused attention in management. First, we highlight why war is an important and relevant area of inquiry for management scholars. We then integrate scattered conversations on war in management studies into a framework structured around three building blocks – (a) the nature of war from an ...
Fabrice Lumineau, Arne Keller
wiley +1 more source
Postgraduate Prospectus 2006-07 [PDF]
, 2005 Outlines degree and course offerings on Latin American Studies, United States Studies and Comparative American Studies in the Institute for the Study of the ...
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Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge
Critical Quarterly, EarlyView.
Anna Vaninskaya
wiley +1 more source
Annals of the New York Academy of Sciences, EarlyView.ABSTRACT A wealth of research has investigated rhythm processing in music and speech, revealing shared cognitive and neural correlates and potential transfer effects, as evidenced by shared benefits and shared processing difficulties, as well as effects of stimulation and training programs.
Barbara Tillmann +2 more
wiley +1 more source
Boletín de Literatura Oral, 2011 RESUMEN. Análisis de una fórmula poética (el amante que quiere ser enterrado en la barbilla o en el cuerpo de la amada) documentada desde los tiempos de Cervantes, Góngora o Meléndez Valdés hasta la poesía tradicional de España e Hispanoamérica del siglo
José Manuel Pedrosa
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, 2014 College of Humanities and the Arts Newsletter, Volume
San Jose State University, College of the Humanities and the Arts
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
Boletín de Literatura Oral, 2012 . Analysis of a poetic formula (about a lover who claims for being buried inside his beloved’s chin) that we know from the times of Cervantes, Góngora and Meléndez Valdés until Spanish and Latin American oral poetry of the xxist century.
José Manuel Pedrosa
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