Results 251 to 260 of about 344,752 (341)

“A minimum of domination”—the overt normative orientation of Foucault's work

open access: yesEuropean Journal of Philosophy, EarlyView.
Abstract Answering the charge of ‘crypto‐normativity’ that has long overshadowed Michel Foucault's work, I argue that this work is animated by an overt normative orientation to keep domination to a minimum. This orientation operates both at the level of content and form.
Fabian Freyenhagen
wiley   +1 more source

Civilly Disobeying What? On Directness and Relevance in Civil Disobedience

open access: yesEuropean Journal of Philosophy, EarlyView.
Abstract Recent acts of civil disobedience in protest against politicians' inaction about climate change have often targeted works of art to provoke public opinion on the issue. Such initiatives have attracted criticism from those who object to this form of political dissent.
Federico Zuolo
wiley   +1 more source

The aesthetic sublime of megaproject structures: A framework and a research agenda

open access: yesEuropean Management Review, EarlyView.
Abstract The physical structures of megaprojects—such as mega‐canals, metros, railway lines, bridges, tunnels, and iconic opera houses—hold a profound capacity to generate aesthetic experiences with enduring societal impact. Yet, research on megaprojects has predominantly focused on functionality and economic rationale with aesthetics being pushed to ...
Federica De Molli   +2 more
wiley   +1 more source

Past Carbon Emissions and Future Targets for the Olympic Games

open access: yesThe Geographical Journal, EarlyView.
Short Abstract The global visibility and political weight of the Olympic Games can inspire climate change action. Yet, at the same time, the Olympics are also significant carbon emitters. To date, however, there is a lack of a systematic assessment of past carbon emissions and extrapolation of future targets considering international agreements.
David Gogishvili, Martin Müller
wiley   +1 more source

ROBERT WALSER'S ‘BLEISTIFTWEG’: POETICS OF ATTENTION AS CRAFT

open access: yesGerman Life and Letters, EarlyView.
ABSTRACT This article examines Robert Walser's entry into what he called his ‘Bleistiftgebiet’ in the early 1920s, when in response to a profound crisis as a writer he began to produce manuscripts in minuscule size, the so‐called ‘Mikrogramme’ (microscripts). Intertwining the analysis of the short prose form with Walser's reflections on the short‐lived
Anne Fuchs
wiley   +1 more source

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