Results 71 to 80 of about 311,008 (254)
Dance Music and Creative Resilience within Prison Walls: Revisiting Cebu's Dancing Prisoners [PDF]
Using Foucault’s concept of governmentality vis-à-vis Appadurai’s “global ethnoscapes” as frames, I argue for a techno-cultural dimension which brought forth the phenomenon of the “dancing inmates,” an argument against the charge of Filipino colonial ...
Mansueto, Menelito
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Lindsay Weinberg reviews Marco Briziarelli and Emiliana Armano (eds.) 2017. The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism. London: University of Westminster Press.
Lindsay Weinberg
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CHASTITY AS SPECTACLE IN WILLIAM SHAKESPEARE’S CYMBELINE AND THOMAS MIDDLETON’S HENGIST
Chastity as Spectacle in William Shakespeare’s Cymbeline and Thomas Middleton’s Hengist. This paper is concerned with the depiction of female chastity in Thomas Middleton’s Hengist and William Shakespeare’s Cymbeline. It employs Lacanian and Foucauldian
Gabriela CHEAPTANARU
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La présence de l’enfant est manifeste dans les pratiques et créations de La Societas Raffaello Sanzio, compagnie théâtrale expérientielle italienne.
Amandine Mercier
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Evading an exact definition, the feeling of nature remains a difficult concept to be grasped in Roman thought, although one feels it today going through not only intellectual creation but also the architectural genius, from Cicero to Pliny the Younger ...
Éric Morvillez
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The story of a painting: M. Bersanelli, A great spectacle in the sky. Eight Visions of the Universe From Antiquity to Our Time, transl. A. Liszka-Drążkiewicz, Copernicus Center Press, 1st edition, Krakow (Kraków) 2020, pp. 317 [PDF]
Milena Cygan
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A criança errante e a errância da infância no ‘Teatro Infantile’ de Chiara Guidi
O artigo discute o status da criança no Teatro Infantile com base em entrevistas e publicações de Chiara Guidi e leituras críticas sobre a poiesis e a praxis de seu trabalho.
Amandine Mercier
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Negating the negation: The practice of parkour in spectacular city [PDF]
This paper interrogates the role of architecture in (re)producing and mediating the spectacular city. I use Debord’s theorizations on the society of the spectacle to forefront the commodifcation of urban architectural space. Finally, I argue that the art
Lamb, Matthew D.
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This essay examines the role of Thomas Hardy\u27s scenes of community theatre, drawing examples from Far from the Madding Crowd, The Return of the Native, and The Mayor of Casterbridge. Only in such scenes from The Mayor of Casterbridge does Hardy employ
Vahaly, Christine R.
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