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El rol de la catástrofe en el teatro de Rafael Spregelburd: el caso de la obra Todo

open access: yes, 2019
La catástrofe ha sido un elemento central en el teatro clásico, núcleo de la producción de las emociones trágicas y estrategia conclusiva dentro de la estructura dramática. Sin embargo, en escrituras contemporáneas, parece haber quedado liberada de justificaciones derivadas del encadenamiento causal de los hechos de la trama, así como de sus ...
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Anticipated Failure, or Translating Rafael Spregelburd's Plays into English

Symposium - Quarterly Journal in Modern Literatures, 2014
Internationally regarded Argentine playwright Rafael Spregelburd has never seen a satisfying English-language production of any of his textually complex plays. Spregelburd's negative experiences highlight not only some serious obstacles to successfully staging his theatre in translation, but also several key pitfalls awaiting anyone translating ...
Jean Graham-Jones
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Las “tragedias optimistas” de Rafael Spregelburd

2017
Ideas of art history, such as those of the tragic and the comic, and genres such as tragedy or melodrama, were created to oppose each other, and Hegelian dialectics is the basic structure of these oppositions. Adorno (2005, Badiou 2010: 41) confronts a dialectic of infinite difference, which discards any end or synthesis, which is terrifying.
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Apátrida de Rafael Spregelburd o un cuestionamiento del arte nacional argentino

2015
Ce volume en hommage au professeur Francis Suréda réunit les travaux du deuxième Colloque International organisé par le CreaC-CRILAUP- qui s'est tenu à l'université de Perpignan Via Domtia les 17 et 18 octobre 2013. Il recueille des contributions de champs disciplinaires divers (théâtre, peinture, musique, cinéma, littérature) qui proposent une lecture
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Rayos en la oscuridad. El Fin de Europa (2017) de Rafael Spregelburd

2020
HeLix - Dossiers zur romanischen Literaturwissenschaft, Bd. 14 Nr. 2 (2020): Sujetos sin topologías: imposibilidad referencial y potencias combinatorias en la literatura y las artes ...
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