Man, a wide garden: Milan Kundera as a young Stalinist [PDF]
This article analyses early Stalinist poetry, written by writer Milan Kundera, published in his collection Clovek, zahrada sira (Man, A Wide Garden) in ...
Culik, J.
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How to deal with the past? How collective and historical trauma psychologically reverberates in Eastern Europe. [PDF]
Maercker A.
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The New Generation And The New Russia: Modern Childhood As Collective Fantasy [PDF]
American ...
Mickenberg, Julie
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Realism, modernism, and the spectre of Trotsky, part 2: Greenberg [PDF]
No abstract ...
Davidson, Neil
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Janina Kwiatkowska, Through Kazakhstan and Stalinist Poland to London – an emigrant’s story
The article is the result of field research carried out by the author in Great Britain in 2013. It is a study of one of 21 accounts recorded with the oldest living Polish emigrants in London.
Ewelina Olaszek
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Cruelty and Health Inequity. [PDF]
Chin MH, Muramatsu N, Pollack HA.
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The temple of the new faith. Film images of the construction of the Palace of Culture 1952–1955
The first study of its kind, Marek Hendrykowski’s paper examines frame by frame the symbolic role of the construction of the Palace of Culture in the ideological context of the Stalinist period and its emergence into the realm of public discourse in the
Marek Hendrykowski
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The Impact of Vavilov's Concept of the Centres of Crop Origin and Diversity on Research, Conservation, and Utilisation of Plant Genetic Resources Today: A Review on the Occasion of Vavilov's 135th Anniversary. [PDF]
Loskutov IG, Ebert AW, Diederichsen A.
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Lukács and Nietzsche: Revolution in a Tragic Key [PDF]
György Lukács’s Marxist phase is usually associated with his passage from neo-Kantianism to Hegelianism. Nonetheless, Nietzschean influences have been covertly present in Lukács’s philosophical development, particularly in his uncompromising distaste for
Emadian, Baraneh
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Z dziejów francuskiej debaty o kinie stalinowskim
From the French debate about Stalinist cinema Through the juxtaposition of texts by Andre Bazin and Georges Sadoul, the author reconstructs a stormy debate on the reception of Soviet cinema from the Stalinist era in 1950s France.
TADEUSZ SZCZEPAŃSKI
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