Results 1 to 10 of about 7,847 (197)

How spending decisions shape happiness in everyday life. [PDF]

open access: yesCommun Psychol
Stenlund S   +4 more
europepmc   +1 more source

Representation, activism, health promotion, and communication: The role of art in advancing global health and social justice. [PDF]

open access: yesPLOS Glob Public Health
Reñosa MDC   +16 more
europepmc   +1 more source
Some of the next articles are maybe not open access.

Stand-up Comedy

2020
Abstract This chapter explores the ethics of stand-up comedy with a particular focus on the warrant of ethical criticism of this art form. The chapter argues for the need to understand stand-up comedy as a performance and offers an account of the additional ethical leeway one tends to grant to stand-up comedians. The chapter zeroes in on
openaire   +1 more source

Stand-up Comedy

2016
This chapter explores how Brand is positioned in the history of British comedy and by the distinctions in taste that structure this cultural field. It identifies his ‘signature practices’ through analyses of his major stand-up performances placing particular emphasis on the way he uses self-reflexive autobiography, language and wit, bodily expression ...
Jane Arthurs, Ben Little
openaire   +1 more source

The Professionalisation of Stand-Up Comedy

2018
This chapter explores the contemporary institutional realities and obligations which stand-up comedians are under. These realities are sociologically explored in relation to wider, societal processes of ‘professionalisation’: stand-up comedy claims an exclusive jurisdiction for itself – the ability to know and produce a belief in the ‘funniness’ of the
  +4 more sources

The Art of Stand-Up Comedy

2018
This chapter provides a sociological theory of the stand-up comedian. It seeks to establish a theory of humour which arises in modern societies and the sociality that drives such humour. Although there are philosophical theories of humour, as well as anthropological theories of comedy figures – clowns, jokers, jesters, fools, tricksters – this chapter ...
  +4 more sources

The Interactional Context of Humor in Stand-Up Comedy

Research on Language and Social Interaction, 2009
Four shows, performed by African American stand-up comedians in Los Angeles in front of Black audiences and White audiences, were examined. The different sections of the events and the components of the joke sequences are analyzed, looking for aspects that facilitate joke acceptability and finding that audience-referred jokes are resorted to ...
SCARPETTA, FABIOLA, SPAGNOLLI, ANNA
openaire   +2 more sources

Robotic Stand-Up Comedy: State-of-the-Art

2018
Humanoid and social robots have to perform in socially acceptable ways. They interact with humans and support humans in their needs and their activities. Stand-up comedy is an extreme form of human-human and human audience interaction. It can be mild, but often it goes beyond what is socially accepted in verbal and nonverbal behavior and expressed ...
openaire   +1 more source

Stand-Up Comedy and Addressivity

2016
This chapter highlights the linguistic value of addressivity in two Youtube downloads of Joan Rivers' stand-up comic performance, Live at the Apollo. Despite the devotion of the six articles of Comedy Studies 2(2) to analyses of the data, very little was said about the linguistic content and identity of the performance.
openaire   +1 more source

Stand-up Comedy and Contemporary Feminisms

2023
What are the barriers to women’s participation in live comedy, and how these barriers are maintained in the digital era? In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene still reflects wider societal stereotypes about the ...
openaire   +1 more source

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