Results 71 to 80 of about 279,306 (190)
The bewitchment of our intelligence: Scepticism about other minds in anthropology. [PDF]
Motta M.
europepmc +1 more source
The first objective of this work is to establish a parallel between the ordinary language philosophy of Ludwig Wittgenstein as well as the philosophy of Stanley Cavell and poststructuralism and its theories through their apprehension of vision and seeing
Margareta Jelić
doaj +1 more source
Stasis, saturación cultural, pérdida de presencia
Planteamos una comparación entre dos autores, el filósofo y teórico del cine Stanley Cavell y el musicólogo y filósofo Leonard B. Meyer, que desde perspectivas análogas reflexionan sobre transformaciones en la cultura reciente, particularmente, la ...
David Díaz Soto
doaj
Stanley Cavell’s Argument of the Ordinary
My overall aim is to show that there is a serious and compelling argument in Stanley Cavell’s work for why any philosophical theorizing that fails to recognize what Cavell refers to as “our common world of background” as a condition for the sense of ...
Avner Baz
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Stanley Cavell y la nueva filosofía norteamericana
Este escrito pretende una sucinta y modesta presentación de la así llamada filosofía del lenguaje ordinario de un autor generalmente desconocido en nuestro país pero que ya muchos consideran imprescindible en el panorama filosófico contemporáneo y ...
Alex R. Nadal
doaj
Philosophy and the clinic: Stigma, respect and shame. [PDF]
Loughlin M +5 more
europepmc +1 more source
I read The World Viewed as soon as it was published in 1971. Although I was outraged (and even at times disgusted) by that first reading, I was touched by its eloquence. My hostility was undoubtedly the premature judgment of a champion of avantgarde cinema toward a critic whose taste differed so radically from mine. I could hardly attend to what Cavell
openaire +2 more sources
El «tono» personalista de la filosofía del cine de Stanley Cavell
Este trabajo relaciona el concepto de «tono» de Stanley Cavell con los rasgos en su filosofía del cine de un modelo antropológico convergente con el personalismo filosófico y fílmico.
Amparo Aygües Cejalvo
doaj +1 more source

