Results 261 to 270 of about 253,677 (306)
Some of the next articles are maybe not open access.
2011
This chapter begins with a detailed examination of the complex exclusion of tragedy in Plato and at Aristotle's decisive philosophical comprehension or, one might say, containment of tragedy, before looking in detail at a number of ancient Greek tragedies-notably the Oresteia, the Theban plays and a number of pieces by Euripides.
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This chapter begins with a detailed examination of the complex exclusion of tragedy in Plato and at Aristotle's decisive philosophical comprehension or, one might say, containment of tragedy, before looking in detail at a number of ancient Greek tragedies-notably the Oresteia, the Theban plays and a number of pieces by Euripides.
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2015
Abstract A sequel to my article “Terminal Prestige” (1988), this essay returns to the alienating qualities of much 20th-century avant-garde music. When “Terminal Prestige” appeared, the serialist mafia still dictated what academic composers could write, and the article was highly critical.
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Abstract A sequel to my article “Terminal Prestige” (1988), this essay returns to the alienating qualities of much 20th-century avant-garde music. When “Terminal Prestige” appeared, the serialist mafia still dictated what academic composers could write, and the article was highly critical.
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The (Bio)Technological Sublime
Diogenes, 2012AbstractThe notion of the sublime, which since the nineteenth century is one of the dominant aesthetic categories, is strongly connected with (the artistic representation of) overwhelming nature. In this article it is argued that in the course of the 20th century the sublime increasingly becomes entangled with the experience of technology.
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2011
This chapter shows that Hegel introduces his concept of fear of death as a concept that mediates between Hegel's version of Kant's distinction between theoretical and practical reason. In this sense, the fear of death has the same status as Kant's concept of the power of judgment .
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This chapter shows that Hegel introduces his concept of fear of death as a concept that mediates between Hegel's version of Kant's distinction between theoretical and practical reason. In this sense, the fear of death has the same status as Kant's concept of the power of judgment .
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Sublimation in Outdoor Air and Seeded Sublimation
Nature, 1949AT intervals over the past twelve months, expansion chamber tests of the threshold temperature for the formation of ice crystals in supersaturated air have been carried out at this College. Of the various weather conditions experienced, it was found that with strong sea winds (N.
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Framing the sublime as affect in post-disaster tourism
Annals of Tourism Research, 2022Annaclaudia Martini
exaly
Intersections Between Awe and the Sublime: A Preliminary Empirical Study
Empirical Studies of the Arts, 2022Robert R Clewis +2 more
exaly