Results 1 to 10 of about 26,966 (174)

“Moscow Surrealism” by Mikhail Dashevsky [PDF]

Художественная культура, 2023
In the article, the researcher analyzed the photographic heritage of the Moscow photographer M.A. Dashevsky presented in the book Native Retro. 1962–2002. Photo Saga (2020) through the prism of surrealist aesthetics, and draws parallels between his works
Shik Ida A.
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Positivism, Impressionism and Magic: modifying the modern canon in America and France from the 1940s [PDF]

Journal of Art Historiography, 2017
This article narrates for the first time the competing views over Impressionism in America and France in the 1940s and 1950s, between modernist art history led by Clement Greenberg, on the one hand, and Surrealism led by André Breton, on the other.
Gavin Parkinson
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The ‘Continuing Misfortune’ of Automatism in Early Surrealism

communication +1, 2015
In the 1924 Manifesto of Surrealism surrealist leader André Breton (1896-1966) defined Surrealism as ‘psychic automatism in its pure state,’ positioning ‘psychic automatism’ as both a concept and a technique.
Tessel M. Bauduin
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Drawing Inspiration from the Magic of the Unconscious in the Surrealist School in the Works of Jamil Jamoudi and Aminollah Rezaei (A Comparative Study)

Jurnal Pembelajaran, Bimbingan, dan Pengelolaan Pendidikan
This paper provides a comparative analysis of the embryonic Surrealism of two well-known figures of the era: Jamil Hamoudi, an Iraqi surrealist artist, and Aminullah Rezaei, an Iranian surrealist artist.
Bashar Jawad Noumi
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Surrealist networks: Post Surrealism and Helen Lundeberg

Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2017
This paper demonstrates how surrealist aesthetics spread to the United States from Europe through a system of cultural and social networking, and hence emerged in southern California in the mid-1930s, years before the usual dating of the aesthetic in the
Ilene Susan Fort
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Women criminals captured by Surrealism

Focales, 2023
This article analyses the composition of two surrealist photomontages dedicated to Germaine Berton and the Papin sisters. By situating them in the history of photographic portraiture and by taking into account the political positioning of the surrealist ...
Célia Honoré
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Miroirs du merveilleux : réceptions et reformulations du surréalisme en Amérique latine (1920-2000)

Cahiers d’études des cultures ibériques et latino-américaines
This work explores the different imprints of surrealism in Latin America from the 1920s to the 2000s. First, we look at the material and immaterial conditions of the circulation of Surrealism in Latin America, by the means of books, letters, works and ...
Karla Segura Pantoja
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Abstract surrealism: the New York Schoolers’ ‘Personalized Surrealism’

Journal of Aesthetics & Culture
Drawing from New York School artists’ witness accounts, correspondence, and archival records from lesser-consulted New York gallery archives (e.g. Hugo Gallery, Iolas Gallery, etc.), this paper challenges recent retellings that abdicate witness accounts ...
Ekin Erkan
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„Lidská psycha je internacionální.“ K surrealismu a české dobové debatě

Acta Universitatis Carolinae Philosophica et Historica
On the front page of the Czech-French International Bulletin of Surrealism, published in spring 1935 by the Surrealist Group in the Czechoslovakia in direct collaboration with André Breton and Paul Eluard, Vítězslav Nezval stressed the international ...
Lenka Bydžovská
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Fantastic art, Barr, surrealism [PDF]

Journal of Art Historiography, 2017
In 1936 Alfred Barr, jr., curator-director of the Museum of Modern Art, New York, organised the first large-scale American show about dada and surrealism, which he named Fantastic Art, Dada, Surrealism.
Tessel M. Bauduin
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