Results 131 to 140 of about 712 (180)
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2009
Susan Sontag (1933-2004) spoke of the promiscuity of art and literature--the willingness of great artists and writers to scandalize their spectators through critical frankness, complexity, and beauty. Sontag's life and thought were no less promiscuous.
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Susan Sontag (1933-2004) spoke of the promiscuity of art and literature--the willingness of great artists and writers to scandalize their spectators through critical frankness, complexity, and beauty. Sontag's life and thought were no less promiscuous.
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PMLA/Publications of the Modern Language Association of America, 2005
“Were i a writer, and dead.” that phrase from the preface to roland barthes's 1971 sade fourier loyola embodies a slightly perverse expression of posthumous longing from the critic who composed “The Death of the Author” a few years earlier. Barthes goes on to say how much he would like it if “through the efforts of some friendly and detached biographer,
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“Were i a writer, and dead.” that phrase from the preface to roland barthes's 1971 sade fourier loyola embodies a slightly perverse expression of posthumous longing from the critic who composed “The Death of the Author” a few years earlier. Barthes goes on to say how much he would like it if “through the efforts of some friendly and detached biographer,
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Global Society, 2010
Susan Sontag was a public intellectual who, in a non-academic way, changed contemporary views on the image and the possibilities of the image. In the last part of her life, she combined her longstanding aesthetic concerns with a deep interest in pain and suffering—particularly during civil conflict.
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Susan Sontag was a public intellectual who, in a non-academic way, changed contemporary views on the image and the possibilities of the image. In the last part of her life, she combined her longstanding aesthetic concerns with a deep interest in pain and suffering—particularly during civil conflict.
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2003
Abstract I am proud and delighted to be introducing Susan Sontag’s Amnesty lecture, since for me, as for many women of my generation and younger, she has been for many years an intellectual heroine and example, for her brilliance, her ardor, her intellectual courage, her toughness and her voracious energies.
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Abstract I am proud and delighted to be introducing Susan Sontag’s Amnesty lecture, since for me, as for many women of my generation and younger, she has been for many years an intellectual heroine and example, for her brilliance, her ardor, her intellectual courage, her toughness and her voracious energies.
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Susan Sontag, battle language and the Hong Kong SARS outbreak of 2003
Economy and Society, 2006Peter Baehr
exaly