Results 41 to 50 of about 10,831 (188)

Superior Facial Expression, But Not Identity Recognition, in Mirror-Touch Synesthesia [PDF]

open access: yes, 2011
Simulation models of expression recognition contend that to understand another's facial expressions, individuals map the perceived expression onto the same sensorimotor representations that are active during the experience of the perceived emotion.
Banissy, Michael J   +5 more
core   +2 more sources

Semantic mechanisms may be responsible for developing synesthesia

open access: yesFrontiers in Human Neuroscience, 2014
Currently, little is known about how synesthesia develops and which aspects of synesthesia can be acquired through a learning process. We review the increasing evidence for the role of semantic representations in the induction of synesthesia, and argue ...
Aleksandra eMroczko-Wąsowicz   +4 more
doaj   +1 more source

Color and texture associations in voice-induced synesthesia [PDF]

open access: yes, 2013
Voice-induced synesthesia, a form of synesthesia in which synesthetic perceptions are induced by the sounds of people's voices, appears to be relatively rare and has not been systematically studied. In this study we investigated the synesthetic color and
Moos, A.   +3 more
core   +3 more sources

Types of Synesthesia in B. Pasternak’s Story “Childhood Luvers” (“Childhood Eyelets”)

open access: yesRUDN Journal of Language Studies, Semiotics and Semantics
The study is devoted to the issue of developing a typology of synesthesia. In our card index there are 40,000 examples from the works of Russian writers, in the story “Childhood Luvers” (“Childhood Eyelets”) there are about 200 of them, there are 32 ...
Irina V. Trufanova
doaj   +1 more source

SINESTESIA PADA KUMPULAN PUISI ROMANTIS KARYA SAPARDI DJOKO DAMONO: KAJIAN SEMANTIK

open access: yesSeBaSa
This paper is to describe the use of synesthesia in romantic poems by Sapardi Djoko Damono. The data source is a collection of romantic poems by Sapardi Djoko Damono containing synesthesia, namely Hujan Bulan Juni, Kuhentikan Hujan, Sajak Putih, Gerimis
Robby Yudhi Nurhana   +2 more
doaj   +1 more source

Synesthete Spies, Detectives and Outlaws: Unsettling Truths Uncovered Through (an Equally Unsettling) Synesthetic Process

open access: yesIris, 2020
This article focuses on portrayals of fictional characters with neurological synesthesia in seven selected 20th and 21st century English-language novels in the detective-spy genre.
Patricia Lynne Duffy
doaj   +1 more source

Hearing through your eyes: neural basis of audiovisual cross-activation, revealed by transcranial alternating current stimulation [PDF]

open access: yes, 2019
Some people experience auditory sensations when seeing visual flashes or movements. This prevalent synaesthesia-like ‘visual-evoked auditory response’ (vEAR) could result either from over-exuberant cross-activation between brain areas, and/or reduced ...
Andrew Spicer   +7 more
core   +1 more source

Synesthesia, hallucination, and autism

open access: yesFrontiers in Bioscience-Landmark, 2020
Synesthesia literally means a “union of the senses” whereby two or more of the five senses that are normally experienced separately are involuntarily and automatically joined together in experience (1, 2, 3).
Rocco J. Gennaro
doaj   +1 more source

Neurophysiology of synesthesia [PDF]

open access: yesCurrent Psychiatry Reports, 2007
Synesthesia is an experience in which stimulation in one sensory or cognitive stream leads to associated experiences in a second, unstimulated stream. Although synesthesia is often referred to as a "neurological condition," it is not listed in the DSM IV or the ICD classifications, as it generally does not interfere with normal daily functioning ...
openaire   +3 more sources

Do synaesthesia and mental imagery tap into similar cross-modal processes? [PDF]

open access: yes, 2019
Synaesthesia has previously been linked with imagery abilities, although an understanding of a causal role for mental imagery in broader synaesthetic experiences remains elusive.
Cooney, Sarah M.   +4 more
core   +1 more source

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