Results 1 to 10 of about 24 (22)
Concepts SPIRIT and SOUL in Linguo-Semiotics of Theatricl Art
RUDN Journal of Language Studies, Semiotics and Semantics, 2022 The study is devoted to the problem of the correlation of linguistic and extralinguistic operations in the creative workshop of an outstanding linguistic persona, the successor of the realistic traditions of Russian and world theater, the great reformer ...
Tatyana V. Markelova +1 more
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Model of actor’s psychophysical actions based on Leontiev's activity theory
Теоретическая и экспериментальная психология, 2023 Background. Dramatic art requires methodological foundations to be applied for training; psychological theories can form the basis for actor’s skills and allow for the conscious control of performing activities.
Vladimir L. Mashkov
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The sources of esthetic principles of producing of Y.A. Zavadsky
Неофилология, 2015 Yury Aleksandrovich Zavadsky – one of the greatest directors of XX century. The uniqueness of his directing esthetic principles is that the sources are the creative works of many outstanding Masters of directing and theatre pedagogy: E.B. Vakhtangov, K.S.
Valentina Aleksandrovna SAZONOVA
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Some of the next articles are maybe not open access.
Stanislavsky’s method and some conceptual echoes in Russian culture
Stanislavski Studies, 2021Sergey Panov, Sergey Ivashkin
exaly
Belief through Knowledge: The Relationship of Knebel’s Active Analysis to Stanislavsky’s System
Stanislavski Studies, 2023exaly
(Re)Animating Stanislavsky: realizingalivenessin the virtual actor
Stanislavski Studies, 2020Jon Weinbren
exaly
Stanislavsky’s quest for the Ideal Actor: the System as Socratic encounter
Theatre, Dance and Performance Training, 2016exaly