Results 71 to 80 of about 369 (131)
Bashkir tamgas and ornamentation in systems of modern “ethnic design”
Mathematical Design & Technical Aesthetics, 2014 An ornamental and coloristic basis comprises the dominant ethnic determinant of Bashkir folk art. Within the structure of the development of modern ethnic design, the ornament is also one of the most proactive factors. Tamgas’ modular units, Turkic runic writing graphemes and traditional ornamental basic motifs together form a triad consisting of ...
N.Kh. Khismatullina, N.M. Rtischeva
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Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2015 The publication is devoted to archaeological research of monuments of the catacomb of Arys culture of Southern Kazakhstan (1st Century B.C. - 3rd Century A.D.).
Podushkin Aleksandr Nikolaevich
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Rock art relationships between central Asia and Europe: The role of Gobustan (Azerbaijan). [PDF]
Within a continuously changing scenario of knowledge about prehistoric and late prehistoric art, the contact area between Asia and Europe is crucial in understanding the development of the graphic symbolism of ancient cultures. Consequently, the Gobustan
Abdullayev, R. +12 more
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Arabic Inscriptions and tamgas from Etshkili-Too (Province of Talas) in Kyrgyzstan
Turkic Studies JournalIn the new rock art site of Etshkili-Too (Эчкили-Тоо) in the Talas Province of Kyrgyzstan, 105 engravings were inventoried, mainly zoomorphs (caprids) dating to the Old Turkic period, as well as to the 19th and early 20th centuries.
Luc Hermann +4 more
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Mahmud – Tigene – Mahmud. About one dynasty of the Golden Horde beks
Золотоордынское обозрениеResearch objective: the purpose of this article is to attempt to determine the tribe to which the recently discovered dynastic line of Golden Horde beks belonged.
Reva R.Yu.
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Vatan Özgül, Damga mı, Tamga mı, Tümce mi?
Edeb ErkanVatan Özgül’ün kaleme aldığı ve 2023 yılında yayınlanan “Damga mı, Tamga mı, Tümce mi? (Boy Damgaları Listesini Farklı Bir Gözle Okuma Önerisi)” adlı eserde, Oğuz Boyları Damgaları listesinin aslında sanıldığından çok daha farklı bir bağlama işaret edildiği ortaya konulmaktadır. Reşideddin Fazlullah’ın eserinde yer alan ve Oğuz Boyları Damgaları olduğu
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Writing on Man or Animal [PDF]
, 2014 The ancient history of Central Eurasia abounds in examples of writingstyles and mediums from notched sticks and knotted strings, to writing ontree leaves and bark, incising tombstones, casting coinage or blocking onpaper money, to the artistic production
Meserve, Ruth I.
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IMAGES ON THE PLATES OF TAGAR KURGANS FENCES (TEPSEY ARCHAELOGICAL COMPLEX)
Вестник Кемеровского государственного университета, 2014 The paper analyzes the petroglyphs on the rocks of Tagar mounds (kurgans) under the mountain Tepsey on the Yenisei, which represent a separate group of pictorial sources on the history of Southern Siberia. The earliest petroglyphs belong to thePodgornovo
O. S. Sovetova, O. O. Shishkina
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MOĞOLLARDA AT DAMGALAMA GELENEKLERİ VE DAMGA (TAMGA) TÜRLERİ
International Journal Of Turkish Literature Culture EducationAt, eski çağlardan beri göçebelerin en yakın arkadaşı ve savaşçılarda sahibine güç, ruh veren aziz bir hayvandır. Bu nedenle tüm göçebe halkları özellikle atlara saygı duyarlar. Moğol halkı da atlara özel bir saygıyla davranır. Ayrıca yarış atlarının bakımına, durumuna ve sağlığına önem verir.
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