Results 81 to 90 of about 479 (150)
Bashkir tamgas and ornamentation in systems of modern “ethnic design”
An ornamental and coloristic basis comprises the dominant ethnic determinant of Bashkir folk art. Within the structure of the development of modern ethnic design, the ornament is also one of the most proactive factors. Tamgas’ modular units, Turkic runic writing graphemes and traditional ornamental basic motifs together form a triad consisting of ...
N.Kh. Khismatullina, N.M. Rtischeva
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Proceedings of the Eleventh U.S.-Japan Meeting on Aquaculture, Salmon Enhancement, Tokyo, Japan, October 19-20, 1982 [PDF]
The United States and Japanese counterpart panels on aquaculture were formed in 1969 under the United States-Japan Cooperative Program in Natural Resources (UJNR).
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The publication is devoted to archaeological research of monuments of the catacomb of Arys culture of Southern Kazakhstan (1st Century B.C. - 3rd Century A.D.).
Podushkin Aleksandr Nikolaevich
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Rock art relationships between central Asia and Europe: The role of Gobustan (Azerbaijan). [PDF]
Within a continuously changing scenario of knowledge about prehistoric and late prehistoric art, the contact area between Asia and Europe is crucial in understanding the development of the graphic symbolism of ancient cultures. Consequently, the Gobustan
Abdullayev, R. +12 more
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TAMGAS-PETROGLYPHS OF THE MIDDLE YENISEI BASIN: BUILDING CORCUS OF SOURCES AND PROSPECTS FOR FURTHER RESEARCH [PDF]
Irina G. Rogova
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The Tamga which Comes to Turkey from the Oldest Known Trousers of the History [PDF]
Dr Mustafa Aksoy +1 more
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Writing on Man or Animal [PDF]
The ancient history of Central Eurasia abounds in examples of writingstyles and mediums from notched sticks and knotted strings, to writing ontree leaves and bark, incising tombstones, casting coinage or blocking onpaper money, to the artistic production
Meserve, Ruth I.
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IMAGES ON THE PLATES OF TAGAR KURGANS FENCES (TEPSEY ARCHAELOGICAL COMPLEX)
The paper analyzes the petroglyphs on the rocks of Tagar mounds (kurgans) under the mountain Tepsey on the Yenisei, which represent a separate group of pictorial sources on the history of Southern Siberia. The earliest petroglyphs belong to thePodgornovo
O. S. Sovetova, O. O. Shishkina
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