Results 41 to 50 of about 219 (60)
Potestas. Estudios del Mundo Clásico e Historia del Arte, 2019 In order to depict a “space of time” in Dr. Grado’s tomb, it was used a visual vocabulary which brought the naturalism of sculptors belonging to the German nobility, together with the fashionable typologies and religious iconography, claiming a tradition
Elena Muñoz Gómez
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Il tardogotico estense tra critica e mercato dell'arte
Ricerche di S/Confine, 2017 In the present contribution are examined some cases of the dispersion of the Ferrarese historic and artistic heritage of the late-gothic age and the pedigrees of these works of art in the 19th and 20th centuries till their arrival to the present day ...
Chiara Guerzi
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De Arte Revista de Historia del Arte, 2021 Francisco de Asís García García
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Indagini conoscitive sul retablo di Castelsardo, caposaldo del tardogotico catalano in Sardegna
Archeomatica, 2016 In order to understand the painting technique and the materials used by the so-called Maestro di Castelsardo, three panels belonging to the Retablo of Castelsardo have been investigated by means of integrated non-destructive and micro-destructive ...
Mara Carboni +11 more
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El banquete real tardogótico: un modelo ritual en las cortes ibéricas a fines de la Edad Media
Conceφtos, 2022 David Nogales Rincón
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Siete islas en medio del océano. Sobre Portugal, el tardogótico y Canarias
Bajo Guadalquivir y Mundos Atlánticos, 2018 El presente trabajo analiza la última arquitectura gótica construida en las Islas Canarias. Se trata de un fenómeno complejo, ya que con anterioridad apenas si se había construido nada en un territorio recién conquistado y comienza una importante ...
Manuel Romero Bejarano
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The chancel and transept of the church of San Jerónimo de Baza
Cuadernos de Arte de la Universidad de Granada, 2017 The head of the church of San Jerónimo, a remarkable work of the transition from the late Gothic architecture to the Renaissance in Eastern Andalusia, rose in the second luster of the thirties of the sixteenth century, after the great earthquake that ...
Juan Manuel Segura Ferrer +1 more
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UCOarteEl presente artículo analiza la portada gótica de Santa María de Deba (Gipuzkoa). Debido a sus características morfológicas, la obra ha sido datada en fechas que van desde el siglo XIII hasta el siglo XVII.
Josu Mendaza Riaño
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