Results 71 to 80 of about 123 (119)
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Introduction: Refocus on Tarkovsky
2020This introduction outlines the main tendencies in Tarkovsky studies, the most salient of which are English-language auteur studies, methodologically based in film history and formalist analysis, and Russian-language hagiographic and quasi-theological monographs fostering the religious cult of the director.
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Film Quarterly, 1989
I t is widely acknowledged that Tarkovsky's films are suffused with what he refers to as an oneiric air-a dreamlike impact-which resists the audience's need to verify the logic, as well as the credibility, of the events presented on the screen. Especially in The Mirror (1975-78) and Stalker (1980), Tarkovsky succeeds in conveying daydreams about the ...
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I t is widely acknowledged that Tarkovsky's films are suffused with what he refers to as an oneiric air-a dreamlike impact-which resists the audience's need to verify the logic, as well as the credibility, of the events presented on the screen. Especially in The Mirror (1975-78) and Stalker (1980), Tarkovsky succeeds in conveying daydreams about the ...
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Religions: A Scholarly Journal, 2014
Faith and science – two mutually exclusive worlds or two aspects of the same God-given reality? Prof. Zelensky offers in this article a personal reflection on the topic of Science and Religion based on the film Stalker by the Russian director Andrei Tarkovsky.
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Faith and science – two mutually exclusive worlds or two aspects of the same God-given reality? Prof. Zelensky offers in this article a personal reflection on the topic of Science and Religion based on the film Stalker by the Russian director Andrei Tarkovsky.
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2017
Kun elokuva Nostalgia vuonna 1983 oli valmis, sen ohjaaja Andrei Tarkovski (1932–1986) jäi länteen. Hänen loikkansa vapauteen on usein nähty totalitaristisessa systeemissä alistetun taiteilijan ainoana mahdollisena valintana. Todellisuudessa tapaus on monimutkaisempi ja vähemmän mustavalkoinen.
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Kun elokuva Nostalgia vuonna 1983 oli valmis, sen ohjaaja Andrei Tarkovski (1932–1986) jäi länteen. Hänen loikkansa vapauteen on usein nähty totalitaristisessa systeemissä alistetun taiteilijan ainoana mahdollisena valintana. Todellisuudessa tapaus on monimutkaisempi ja vähemmän mustavalkoinen.
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1994
The definitive study of the great filmmaker, set in the context of Russian cultural history.
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The definitive study of the great filmmaker, set in the context of Russian cultural history.
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Inleiding. Tarkovski's waarheid
2022Een filmregisseur moet de werkelijkheid die zich voor de camera afspeelt transformeren tot iets op het scherm wat voor een filmkijker werkt. Het voordeel van de centrale rol van de camera is dat je ermee kunt bewijzen dat iets echt gebeurd is, dat het waar is. Maar dat gegeven kan je verhaal ook in de weg zitten.
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Tarkovsky's Stalker: existentialism and mental health
The Lancet Psychiatry, 2020Bekir B, Artukoglu, Natalia, Szejko
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