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TARSILA DO AMARAL: AN ART CHOICE
Travessias, 2007 Tarsila Amaral is one of the first and foremost names of Brazilian Art. While very known, few are aware of her exuberant life, full of vibrant events that, through her life choices, became a precious collection of the more significant paintings of all ...
Maria Elizabeth Bonow
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Tarsila do Amaral: A construção de uma narrativa sobre “Brasilidade”
INTERthesis, 2015 O texto discute a construção de uma narrativa sobre o conceito de brasilidade e envolvendo as matrizes portuguesas, indígenas e africanas no discurso e no repertório modernista – inaugurado pela Semana de Arte Moderna de 1922.
Dalmo de Oliveira Souza e Silva
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Sobre um conjunto de telas de Tarsila do Amaral: anos 1940 [PDF]
Revista do Instituto de Estudos BrasileirosRESUMO Com base na exposição “Tarsila do Amaral: peindre le Brésil moderne”, ocorrida no Musée du Luxembourg (Paris, 2024-2025), é notável como algumas telas da artista, feitas nos anos de 1940, ganham relevo por elementos que as aproximam e as ...
Rafael Marino
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Historia y Memoria, 2015 Tarsila do Amaral (1886-1973) began her anthropophagic phase in 1928, after the creation of Abaporú, a painting that insinuated the consequent writing of the Anthropophagic (or Cannibalist) Manifesto by Oswald de Andrade in the same year. These proposals
María Elena Lucero
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REFLEXOS DA ESCRITA DE SI EM CRÔNICA DE TARSILA DO AMARAL
Revista Graphos, 2020 O presente artigo propõe uma análise da produção cronista de Tarsila do Amaral (1886-1973), uma das figuras centrais da arte brasileira no século XX, em aproximação com a escrita de si e a presença feminina na imprensa brasileira. Para isso, tomamos como foco o texto “Tragédia parisiense”, publicado em 1937 pela artista plástica nos periódicos Diário ...
Valnikson Viana De Oliveira +1 more
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From São Paulo to Paris and Back Again: Tarsila do Amaral [PDF]
Stedelijk studies, 2019 At the closure of Tarsila do Amaral’s retrospective exhibition at the Museum of Art of São Paulo Assis Chateaubriand (MASP) at the end of July 2019, a total of 402,850 visitors had viewed the exhibition (fig. 1). Tarsila Popular thus fittingly became the most visited show in the museum’s history, displacing a 1997 Monet blockbuster.[1] The show had ...
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Devouring Nature: On Biomorphism and Transformation in the Works of Tarsila do Amaral
HartTarsila do Amaral’s paintings of rural Brazilian landscapes present a natural world replete with vibrant colors, whimsical creatures, and luxuriant plant life.
Michele Greet
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Tarsila do Amaral en las tensiones del modernismo brasileño
Arte e InvestigaciónA más de cien años de la Semana de Arte Moderna de 1922, diversas revisiones críticas han cuestionado las narrativas hegemónicas que definieron el modernismo en Brasil.
Helena Wilhelm Eilers
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Post‐Impressionism: Universal, British, Global
Art History, Volume 45, Issue 3, Page 546-569, June 2022., 2022 Starting from the possibility of a ‘global’ account of a style, this essay examines the consequences of the idea of post‐impressionism. Around 1910, Roger Fry drew on histories of world art and international art historiography to cast post‐impressionism as putatively universal, a style that was not just a new development, but was a rediscovery of a ...
Sam Rose
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Álbum de Pagu e Dia Garimpo: Dois livros de poemas com desenhos [PDF]
Pessoa Plural, 2022 Influenciadas pelo enorme passo interdisciplinar de Cocktails (1923-1926/1984), de Luís Aranha, Pau Brasil (1925), de Oswald de Andrade e Tarsila do Amaral, Quelques Visages de Paris (1925), de Vicente do Rego Monteiro, o Primeiro Caderno do Alumno de ...
Lino, Patrícia
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