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Tatiana Huezo: Trauma and the poetics of displacement

Journal of Screenwriting
Is it possible to document trauma? How should one approach the disaster zone where the subject is torn to pieces? What narrative resources does Mexican-Salvadoran director Tatiana Huezo utilize to map these pains in her documentaries El lugar más pequeño (‘The Tiniest Place’) (2011) and Tempestad (‘Tempest’) (2016) and in her fiction Noche de Fuego ...
exaly   +2 more sources

Ecos de extracción en Noche de fuego de Tatiana Huezo

Arizona Journal of Hispanic Cultural Studies
Resumen: En este artículo estudio el rol protagónico del sonido en Noche de fuego de la directora Tatiana Huezo. Analizo los elementos que generan un apocalipsis acústico en el espacio serrano en el que tiene lugar la historia. A través de los ecos multitemporales que se desprenden de la violencia perpetrada por la minería y el narcotráfico, se ...
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Desaparecidas: los fantasmas de Tatiana Huezo en su documental Tempestad

Tatiana Huezo’s Tempestad (2016) chronicles the lives of two Mexican women—Miriam and Adela/Mónica—who have fallen victim to drug trafficking, the judicial system, and organized crime. The first woman is forced to pay the price for a crime committed by others. The second is Adela, the mother of Mónica, a woman who has disappeared.
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