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The Sought For Butoh Body : Tatsumi Hijikata's Cultural Rejection and Creation
The Sought For Butoh Body : Tatsumi Hijikata's Cultural Rejection and Creationopenaire
Hijikata Tatsumi and Ohno Kazuo
, 2006 'Routledge Performance Practitioners' is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.
Sondra Fraleigh
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Processes of Corporeal Corruption and Objective Disfiguration in Tatsumi Hijikata's 1960s Butoh [PDF]
Performance Research, 2018 The radical reassessment of performance conceived by Tatsumi Hijikata calls into question the body informed by dance systems and society.
Katja Centonze, Centonze, Katja
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2022
AbstractThis chapter traces the career of the founder of butô, Hijikata Tatsumi. It starts with his short narrative dance vignettes, most memorably manifest in the 1959 debut of the homoerotically themed Forbidden Colors. It then moves to his happenings-style performances of the mid 1960s, and then describes his late dances choreographed using his ...
Bruce Baird, Baird Bruce
exaly +2 more sources
AbstractThis chapter traces the career of the founder of butô, Hijikata Tatsumi. It starts with his short narrative dance vignettes, most memorably manifest in the 1959 debut of the homoerotically themed Forbidden Colors. It then moves to his happenings-style performances of the mid 1960s, and then describes his late dances choreographed using his ...
Bruce Baird, Baird Bruce
exaly +2 more sources
, 2021 Voce enciclopedica "Hijikata Tatsumi", fondatore della danza butō.
Katja Centonze
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L'anticorpo di Hijikata Tatsumi
, 2012 Danza e ricerca. Laboratorio di studi, scritture, visioni, Numero 3 (novembre 2012)
Peretta, Éden, Peretta, Éden Silva
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Metaphorical Miscegenation in Memoirs: Hijikata Tatsumi in the Information Age
2012Hijikata Tatsumi’s dances have been an important part of a revolution in aesthetics even though many of them have never been seen, but only known through reputation from afar. However, it is possible that Hijikata’s literary endeavors may someday be taken as tours de force equal to that of the dances, and thus it is to his writings that I turn. Usually,
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, 2018 Hijikata Tatsumi is considered to be the founder of butoh, though titles such as instigator or ringmaster may be more appropriate. Hijikata premiered his first choreography in 1959, an adaptation of Mishima Yukio’s 1952 homoerotic novel Kinjiki (Forbidden Colors).
Rosemary Candelario
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