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The Swiftie Poète Maudit: Remnants of Modernism in the Production of Pop Meaning
Taylor Swift’s The Tortured Poets Department reveals recurring semiotic strategies in pop culture, oscillating between creativity and standardization: a dialectic that, according to Fredric Jameson, defines postmodernity, a cultural framework where ...
Ariel Gómez Ponce
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Taylor Swift, Gender, and Feminism: What Do the Data Say?
In the world of Swiftian scholarship, several scholars have credited Taylor Swift with feminist impact, while others have criticized both her type of feminism and claims to be a feminist. Many arguments rest on a narrow group of protest songs (“The Man”,
Lewis, Maxine
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Taylor University Profile (September 1984) [PDF]
1984 Football Schedule – Library construction underway – Odle receives national award – Students involved in world missions – Former TSO President earns national award – Coming Events – Taylor gains computer endorsement - a first – Taylor Club Meetings ...
Taylor University
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Shakespeare and the Fate of Taylor Swift
Abstract “The Fate of Ophelia,” the opening track on Taylor Swift’s album The Life of a Showgirl , includes an unsettling Shakespearean allusion. Ophelia was the jilted lover of the melancholy prince in Shakespeare’s Hamlet , a woman ...
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William Taylor Foundation studies feasibility of retirement facility in Upland – Tour educational experience for Taylor Ringers – From the Office of the President – Heavenly Calling – Taylor receives funds for new building project on Fort Wayne campus ...
Taylor University
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Hegemonic Stardom: The Politics of Musical Reception in Kanye West and Taylor Swift
This paper examines the hegemonic role of popular music stars under conditions of political polarization within minor politics, such as everyday and parliamentary politics, and its influence on musical reception.
Selim Tan
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Taylor Magazine (Fall 1993) [PDF]
The Fall 1993 edition of Taylor Magazine, published by Taylor University in Upland, Indiana.https://pillars.taylor.edu/tu_magazines/1082/thumbnail ...
Taylor University
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Swifties Experience: Examining Taylor Swift The Eras Tour (2023) Movie as Concert Mediatization
This research examines Taylor Swift’s concert documentary movie called The Eras Tour (2023) that created a shift in audience’s cinema experience by not customarily watching a movie but emerge themselves which resulting in a ‘concert-feel- like’ activity.
Alleyda Maharani Ambadar
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A Digital Ethnographic Perspective of Swiftie Discourse around ‘Taylor’s Environmental Question’
Swifties, defined in the article as active followers of Taylor Swift, have been known for their fan culture and, in cases, intense following of the artist (Garcia-Borbon 2024).
Peter W. Stones
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