Results 1 to 10 of about 83,924 (172)
Museo Teatro Romano de Cartagena [PDF]
Boletín del Museo Arqueológico Nacional, 2017 El proyecto de recuperación del teatro romano de Cartagena ha contemplado la integración de los restos en el tejido urbano así como su adecuada conservación y exposición con fines didácticos y culturales.
Elena Ruiz Valderas
doaj +1 more source
William Conyngham y el teatro romano de Sagunto [PDF]
SPAL. Revista de Prehistoria y Arqueología de la Universidad de Sevilla, 2009 Los viajeros ingleses, que llegaron a la españa del siglo xviii, tenían como objetivo el desarrollo de actividades alejadas del estudio de las antigüedades.
León Gómez, Alicia
openaire +5 more sources
Ascanio Celestini, voces amargas de los márgenes del mundo [PDF]
Zibaldone: Estudios Italianos, 2016 Espectáculos como Radio clandestina (2000), sobre el magnicidio nazi en las Fosas Ardeatinas durante la Segunda Guerra Mundial, Cecafumo (2002), un curioso montaje a partir de fábulas populares italianas, Fabbrica (2002), una reflexión sobre las ...
Andrea Porcheddu
doaj +2 more sources
Staging the Imagined City: Aretino in Rome and London
Renaissance Studies, Volume 37, Issue 2, Page 268-291, April 2023., 2023 Abstract This article explores the theme of ‘cityscapes’, and Aretino as a writer of the urban experience, by focussing on the city as an unknowable and anonymous space, especially to social outsiders. It will first examine how Aretino portrays Rome in his early comedy Cortigiana (1525) as a confusing and socially stratified space when experienced from
Kate De Rycker
wiley +1 more source
‘I was Born in One City, but Raised in Another’: Aretino's Perugian Apprenticeship
Renaissance Studies, Volume 37, Issue 2, Page 166-191, April 2023., 2023 Abstract According to his apocrypha, Aretino was forced to flee his hometown of Arezzo after penning some anti‐papal verses. Similarly, it is claimed that he fled Perugia ten years later after painting a lute into the hands of a depiction of the Maddalena, which stood in one of the town's piazze.
William T. Rossiter
wiley +1 more source
On Sanctitatis nova signa: A provisional case against Celano's authorship
New Blackfriars, Volume 103, Issue 1108, Page 745-760, November 2022., 2022 Abstract This paper advances a provisional case denying the attribution of the medieval liturgical sequence Sanctitatis nova signa, written in honor of Saint Francis of Assisi, to Thomas of Celano (died c. 1260), who is best known for writing the earliest biography of the saint.
Jose Isidro Belleza
wiley +1 more source
Female Representation and Violence in the Ceremonial Entries of the Italian Wars
Renaissance Studies, Volume 36, Issue 5, Page 750-768, November 2022., 2022 Abstract This essay considers the gendered implications of female representation in the ceremonial entries of the Italian Wars (1494–1559) in light of the events' hyper‐masculine martial context. It takes a holistic approach, uncommon in entry scholarship, by considering the thematic intersections between entry decorations, participation, performance ...
Elizabeth Reid
wiley +1 more source
Travel, Expertise and Readers: Francesco Ottieri (1665–1742) and the Writing of Modern History
History, Volume 106, Issue 371, Page 384-408, July 2021., 2021 Abstract This article analyses Francesco Ottieri's historical work, his authority as historian, and his book's eighteenth‐century readers. During the seventeenth century, books concerning recent events and early newspapers informed an expanding European readership.
Guido G. Beduschi
wiley +1 more source
Archivo Español de Arqueología, 2021 Damos a conocer una placa de mármol lunense bardiglio que conformó el pluteus de la prohedria en el teatro romano de Cádiz. En la cara inferior, con superficie tosca de extracción del bloque en cantera, porta la marca inscrita AGR seguida del numeral ...
Ángel Ventura Villanueva +2 more
doaj +1 more source
A CERÂMICA DE TIPO KUASS DAS ESCAVAÇÕES DO TEATRO ROMANO DE LISBOA
Conimbriga, 2019 Neste trabalho é apresentado o conjunto de cerâmica de tipo Kuass recuperado durante as escavações efectuadas na área do Teatro Romano de Lisboa. Trata-se de um conjunto reduzido, com apenas quatro exemplares, mas cuja importância é inegável considerando
Elisa de Sousa, Lídia Fernandes
doaj +1 more source