Results 21 to 30 of about 97,106 (179)
The Orchestras of the Príncipe and Cruz Coliseums in Madrid during the Second Half of the 18th Century [PDF]
, 2015 Durante la primera mitad del siglo XVIII no existieron plantillas orquestales estables en los teatros públicos madrileños, contratándose de manera puntual para los espectáculos que requiriesen un acompañamiento musical un número de intérpretes ...
Barba Dávalos, Marina
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Gender &History, EarlyView.ABSTRACT In Spain, under General Franco's regime, homosexuality was regarded as an antisocial and dangerous behaviour. It was thus pursued both by the police and judicial courts. The Law on Vagrants and Crooks (1954) and, subsequently, the Law on Dangerousness and Social Rehabilitation (1970) constituted the legal mechanisms used by the dictatorship to
Jordi Mas Grau, Rafael Cáceres‐Feria
wiley +1 more source
O espaço teatral e a condição do espectador [PDF]
, 2003 Diz um antigo ditado chinês que quando o sábio aponta para a lua, o tolo olha para o seu dedo. Este texto propõe-se fazer exactamente o mesmo: olhar para o dedo que aponta.
Moura, Vítor
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International Journal of Art &Design Education, EarlyView.Abstract In an increasingly technology‐driven world, this study examined how communication design students can critically and creatively master advanced digital tools to craft immersive storytelling experiences, drawing upon an ‘analogue’ mindset. While immersive experiences are often associated with XR technologies, true immersion transcends the ...
Eleonora D'Ascenzi +2 more
wiley +1 more source
A participação portuguesa nas missões militares : Iraque, Afeganistão e Líbano [PDF]
, 2008 O presente trabalho procura sintetizar a participação portuguesa nas missões militares em três teatros de operações distintos, tendo todas elas uma tipologia diferenciada.
Garcia, Francisco Proença
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Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
3 años, 4 producciones y 40 teatros [PDF]
, 2017 Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2017, Tutor: Manolo Laguillo[spa] Mi cámara fotográfica me acompaña habitualmente para captar la realidad que me rodea.
Morris Suriñach, Héctor
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
Presencia escénica de la tonadilla en el Diario Mercantil de Cádiz de 1812. [PDF]
Revista del Centro de Investigación Flamenco Telethusa, 2014 Las representaciones teatrales son una buena fuente de información para estudiar los inicios del flamenco y en concreto la tonadilla; dada su larga vida y evolución, va a ser la transmisora del arte popular que acabaría conformando el flamenco.
Mª del Rosario Fernández Falero +2 more
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El sol de Montecassino [Material gráfico]: [director, Giuseppe Maria Scotese] [PDF]
, 1945 En el verso: Propaganda de espectáculos en los Teatros Carrión, Roxy y Pradera. Valladolid : Gráficas ValenciaIntérpretes: Int.: Fosco GiachettiCopia digital. Valladolid : Junta de Castilla y León.
Anonymous
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