Results 71 to 80 of about 352 (182)

The workings of black comedy In film and television drama

الاكاديمي
Art in television was known for the diversity of the work of the elements of the media’s language, as in the case of cinema, these elements that the director relies on by employing their work as expressive and aesthetic tools, enabling the work maker to
Iman Hassan Alwan, Athraa Mohammed Hasan   +1 more
doaj   +1 more source

‘What's the Essence of This Profession?’ Spanish Teacher Educators' Post‐Pandemic Conceptualizations of Work, Pre‐Service Teachers and Emotions

European Journal of Education, Volume 61, Issue 3, September 2026.
ABSTRACT This paper reports on an interpretive phenomenological study that examined the lived experiences of teacher educators in Spain. Responding to a lack of research on teacher educators, the study sought to make sense of the participants' work in the current, post‐pandemic context.
Beth A. Wassell, María Fernández Hawrylak   +1 more
wiley   +1 more source

Art and Cultural Diversity of Dayak Ngaju Tribe: Christian Education Interactive Learning on Kuala Kurun

Gondang: Jurnal Seni dan Budaya
The prevalence of comedy and satirical programming on television and online platforms has contributed to a growing divide between entertainers (musicians) and their audiences, with the former offering guidance, criticism, and a reflection of everyday ...
Sugiyanto Sugiyanto, Alfonso Munte
doaj   +1 more source

Satire without borders: the age-moderated effect of one-sided versus two-sided satire on hedonic experiences and patriotism. [PDF]

Humor (Berl), 2023
Boukes M, LaMarre HL.
europepmc   +1 more source

Organizational Soundscapes and the Sonicity of Voices: The Power of the ‘Sounds’ that Carry ‘Words’

Journal of Management Studies, Volume 63, Issue 6, Page 2305-2331, September 2026.
Abstract Organizations are soundscapes – they resonate with sounds and particularly the sounds of voices. Somehow however voice sonics, that is the sounds of voices and not the words carried on those sounds, have escaped attention in management studies. This absence of analysis is peculiar given voice sonics' undoubted influence on management (they may
Nancy Harding, Jackie Ford
wiley   +1 more source

How Change Recipients Become Rivals: Legitimacy Dynamics and ‘Cooptive Rejection’ in Organizational Change

Journal of Management Studies, Volume 63, Issue 6, Page 3317-3350, September 2026.
Abstract Our study challenges a commonly held assumption in the legitimacy and organizational change literatures: that the legitimacy of a change project is closely tied to, and dependent upon, the legitimacy of the change agent promoting it. Drawing on an in‐depth, three‐and‐a‐half‐year qualitative study of a major transformation within a French ...
Alaric Bourgoin, Alexis Laszczuk, Ann Langley   +2 more
wiley   +1 more source

Metaphorical Humor in Satirical News Shows: A Content Analysis. [PDF]

Metaphor Symb, 2023
Droog E, Burgers C.
europepmc   +1 more source

Upside Down at the Carnival: Creating Bakhtin's Carnival With a Postmodern Text and Process Drama to Facilitate Children's Inference

Literacy, Volume 60, Issue 3, September 2026.
ABSTRACT A case study was carried out within a primary school to investigate how it taught inference. A whole class, explicit teaching approach, was used. It was felt that this did not give students the opportunity to bring their personal response to a text or recognise the fact that many texts are open to different interpretations.
Susan Rook
wiley   +1 more source

The Impact of TikTok on Elections: (Mis)information and Regulatory Challenges

Kyklos, Volume 79, Issue 3, Page 724-742, August 2026.
ABSTRACT TikTok's algorithm‐driven feed is reshaping electoral communication, yet a clear understanding of its effects is lacking. This study synthesizes and appraises evidence on how the platform's design and governance shape political (dis)information and may affect electoral dynamics.
Michele Giuseppe Giuranno, Mauro Sebastian Manni   +1 more
wiley   +1 more source

„Es ist noch nicht vorbei, wir bleiben deutsch und treu“

S: I. M. O. N., 2019
The Austrian television cabaret show Das Zeitventil was produced from 1963 to 1968 by the national Austrian Broadcasting Company under the artistic direction of the cabaret artist and musician Gerhard Bronner. The show saw itself as a decidedly political
Eva Waibel
doaj