Christian Secondary Epigraphy in the Temple of Hatshepsut. Some New Remarks
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021 Reusage was a common phenomenon in the ancient world. Throughout the history of Egypt, from the very early beginnings until modern times, tombs, temples, quarries or loose architectural elements were adapted for new purposes. The Temple of Hatshepsut in
Aleksandra Pawlikowska-Gwiazda
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New Dipinti in the Birth Portico of the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018 The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari.
Mirosław Barwik
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Preliminary assessment of human remains from the Temple of Hatshepsut at Deir el Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 Excavations over the course of many seasons by the Polish-Egyptian Mission in the Temple of Hatshepsut at Deir el-Bahari have revealed the presence of multiple intrusive burials within and around the temple structure itself.
Roselyn A. Campbell
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The West Wall of the Portico of Obelisks in Hatshepsut's Temple in 2018 and 2019: conservation and studies [PDF]
Polish Archaeology in the Mediterranean, 2019 The longest, west wall of the South Lower Portico (Portico of Obelisks) of the Temple of Hatshepsut at Deir el-Bahari has been reassessed in terms of its current state, compared to the original documentation by Edouard Naville, as an opening step to the ...
Ewa Józefowicz
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Archaeological investigations in the Temple of Hatshepsut at Deir el-Bahari in the 2020/2021 season [PDF]
Polish Archaeology in the Mediterranean, 2021 The paper presents the results of archaeological exploration in parts of the Hatshepsut Temple, carried out by the Polish–Egyptian team in the 2020/2021 season.
Patryk Chudzik
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Dipinti in the relieving chamber above the Bark Hall of the Hatshepsut Temple at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 The paper presents ancient dipinti, both hieroglyphic and hieratic, traced in the relieving chamber above the Bark Hall of the Hatshepsut temple in Deir el-Bahari.
Miroslaw Barwik
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A “ghost” fragment from the chapel of Tuthmosis I in the Royal MortuaryCult Complex of the Hatshepsut Temple [PDF]
Polish Archaeology in the Mediterranean, 2016 A peculiar drawing of a part of the decoration of the Royal Mortuary Cult Complex inthe Hatshepsut temple at Deir el-Bahari, as copied once by Johannes Dümichen, is the subject ofthis paper.
Mirosław Barwik
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Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer.
Anastasiia Stupko-Lubczyńska
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The niches of the Vestibule of the Royal Mortuary Cult Complexof the Temple of Hatshepsut in Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2016 The article is about damages to the architecture and wall decoration of niches in theVestibule of Hatshepsut in the Royal Mortuary Cult Complex. Traces of ancient repairs may bediscerned in the distorted layers of limestone blocks and deformed relief ...
Mariusz Caban
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The secretarybird dilemma: identifying a bird species from the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 Known from a few representations in Predynastic Egyptian art, the secretarybird has otherwise been elusive, in the art of Pharaonic Egypt as well as the scientific discourse on iconographic imagery of birds in ancient Egypt.
Kamila Braulińska
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