Results 31 to 40 of about 8,237 (209)

Paharpur, ou comment protéger et restaurer un site dégradé grâce à l’expertise archéologique

open access: yesArchéopages, 2010
The Buddhist monastery of Paharpur (7–13th c.) in Bangladesh features a cruciform monument at its centre, which served as the model for all Buddhist architecture in South-East Asia, and an exceptional collection of figurative earthenware (2,800 ...
Jean-Yves Breuil, Sandrine Gill
doaj   +1 more source

Réflexions autour de la conservation-restauration de figurines en terre cuite

open access: yesPallas, 2023
Between 2015 and 2020, many Gallo-Roman terracotta figurines from three collections (musée Anne de Beaujeu, musée Bargoin, and musée archéologique de l’Oise) were studied and underwent a process of preservation-restoration.
Carine Bayol, Marie Petit
doaj   +1 more source

Limited Effects of Temperature on Captive Eastern Hellbender (Cryptobranchus alleganiensis alleganiensis) Growth

open access: yesZoo Biology, EarlyView.
While higher temperatures are generally expected to increase amphibian growth, our experiments with captive‐reared Eastern Hellbenders found no evidence that growth increased at a rearing temperature of 21°C relative to 16°C. As Eastern Hellbender reintroduction efforts move forward, a focus on other conditions, such as density or diet, might be more ...
Kylie S. Soniak   +4 more
wiley   +1 more source

South Asian Figurines in the British Museum: Literature Review and Analysis [PDF]

open access: yes, 2013
In the early twenthieth century in British India, many military officers were also amateur archaeologists. Some of them, including Colonel D.H. Gordon and Colonel D.R. Martin, collected human terracotta figurines.
WIECEK, MATTHEW,GREGORY
core  

Gupta period terracotta female figure, Pawāyā

open access: yes, 2017
This fragmented image dates to circa the late fourth century CE (Gupta period). It once decorated the outer wall of a temple at Pawāyā (ancient Padmāvatī), in the Gwalior district of Madhya Pradesh. The delicately modelled figural image, which has become
Laxshmi Greaves
core   +1 more source

Bridging the Late Antique Gap in Northwest Arabia: New Archaeological Evidence on the Occupation of Wādī al‐Qurā (al‐ʿUlā [AlUla], Saudi Arabia) Between the Third and Seventh Centuries CE

open access: yesArabian Archaeology and Epigraphy, EarlyView.
ABSTRACT In 2019, the Dadan Archaeological Project (CNRS/RCU/AFALULA) identified a Late Antique village 1 km south of ancient Dadan in the al‐ʿUlā valley (northwest Saudi Arabia). Three excavation seasons at this site (2021–2023) have uncovered a massive building constructed in the late third or early fourth cent.
Jérôme Rohmer   +11 more
wiley   +1 more source

Face Image Inpainting of Tang Dynasty Female Terracotta Figurines Based on an Improved Global and Local Consistency Image Completion Algorithm

open access: yesApplied Sciences
Tang Dynasty female terracotta figurines, as important relics of ceramics art, have commonly suffered from natural and man-made damages, among which facial damage is severe.
Qiangqiang Fan   +3 more
doaj   +1 more source

Technologies of Transition: Pottery Production and Specialization in Early Rome and Its Neighbors. Neutron Activation Analysis of Regional Assemblages and a Mineralogical‐Petrographic Study of Impasto Chiaro‐Sabbioso

open access: yesArchaeometry, EarlyView.
ABSTRACT The following paper investigates ceramic production and signs of specialization in Rome and the wider region during the early first millennium bce, through an archaeometric approach using Instrumental Neutron Activation Analysis (NAA), and complementary techniques.
Mattia D'Acri   +4 more
wiley   +1 more source

Some Notes on La Faiseuse D'anges (A Fazedora De Anjos, 1908), by Pedro Weingärtner

open access: yesFuture Humanities, Volume 4, Issue 2, November 2026.
ABSTRACT Pedro Weingärtner's La Faiseuse d'Anges (A Fazedora de Anjos, 1908) stands as one of the most unsettling artefacts of Brazilian academic painting. Conceived in Rome but rooted in the Parisian fait divers of the ‘angel‐maker,’ it translates a sensational story of reproductive crime into a monumental moral tableau.
Gustavo Ruiz da Silva
wiley   +1 more source

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