Results 111 to 120 of about 1,775 (152)
Some of the next articles are maybe not open access.
2001
Abstract ‘Medieval history’ traditionally starts with the accession of Diocletian in ad 284. It has become conventional to accept the subsequent ‘reforms’—constitutional, political, military, social, economic, and religious—as marking a decisive break between the ancient and medieval worlds.
openaire +1 more source
Abstract ‘Medieval history’ traditionally starts with the accession of Diocletian in ad 284. It has become conventional to accept the subsequent ‘reforms’—constitutional, political, military, social, economic, and religious—as marking a decisive break between the ancient and medieval worlds.
openaire +1 more source
Chronologie und Ideologie der Tetrarchie
Antiquité Tardive, 1995The profound and successful reforms of Diocletian and his co-rulers have continued to the evaluated and debated by scholars in recent decades. Not least among the topics discussed is Tetrarchie ideology and religions policy. In order to determine whether Diocletian's measures were first improvised and then given coherence during the course of his reign,
openaire +1 more source
I tetrarchi, le statue divine e i tesori dei temple
Antiquité Tardive, 2020This article is based on the analysis of some inscriptions which date to the Tetrarchic age (approximately between 285 and 312) and have received little attention in scholarship. They are dedications of statues of deities, set up in different sanctuaries by order of the emperors themselves (Diocletian and Maximian, Galerius, Maximinus Daia, Licinius ...
openaire +2 more sources
2005
Scheda sui Tetrarchi, altorilievi in porfido murati presso la basilica di San Marco a Venezia, ma provenienti da Costantinopoli, ove vennero razziati agli inizi del Duecento. L'opera costituisce uno degli esempi più significativi di scultura tardoantica e allude alla concezione politica della tetrarchia e all'ideologia imperiale, con figure ...
openaire +1 more source
Scheda sui Tetrarchi, altorilievi in porfido murati presso la basilica di San Marco a Venezia, ma provenienti da Costantinopoli, ove vennero razziati agli inizi del Duecento. L'opera costituisce uno degli esempi più significativi di scultura tardoantica e allude alla concezione politica della tetrarchia e all'ideologia imperiale, con figure ...
openaire +1 more source
GALERIUS, MAXIMINUS AND THE TITULATURE OF THE THIRD TETRARCHY
Bulletin of the Institute of Classical Studies, 2006Simon Corcoran
exaly