A New Edition Which Is Not So New:A Critique on the Most Recent “Edition” of Avicenna’s Dānešnāmeh-ye ʿAlāyī [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2022 Here, I examined the most recent “edition” of Avicenna’s Dānešnāmeh-ye ʿAlāyī published by Mawlā Publishing house. With this aim, I provided an overview of the editorial and publishing genealogy of the Dānešnāmeh, and then of Mawlā’s edition.
Hanif Amin Beidokhti
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Marlowe in Sheets: Teaching Christopher Marlowe's Books through Digital Materiality
Journal of Marlowe Studies, 2023 The online resource Marlowe in Sheets, a sister project to Prof. Tara Lyons’ Shakespeare in Sheets, puts forth Marlowe’s works in a manner never offered before to students and scholars: the original printed but unfolded and uncut quartos and octavos from
Andreas P. Bassett
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Dickinson’s Prosodic Music: Subtlety and Exuberance
ES Review, 2021 This essay explores Dickinson’s prosodic music by evidencing its expressions of subtlety and exuberance. The essay unfolds in four steps. The first step finds the poet’s prosodic music in distinctive word arrangements with these three features ...
Jefferey Simons
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Early Textual Scholarship on Acts: Observations from the Euthalian Quotation Lists
Religions, 2022 This article examines two aspects of the ubiquitous, but oft-overlooked, set of paratexts known as the Euthalian Apparatus. The Euthalian apparatus supplements Acts, the Pauline Epistles, and the Catholic Epistles in a variety of manuscripts, framing ...
Garrick V. Allen
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Beyond Author-Centricity in Scholarly Editing
Journal of Early Modern Studies, 2012 Authorship – authority – authorisation – the author – the author’s will – the author’s intention: these form a cluster of notions whose validity for scholarly editing I fundamentally question.
Hans Gabler
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Combinar leitura e “leitura”: ler, extrair, interpretar, visualizar
MatLit, 2020 Recensão crítica de Martin Paul Eve. Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell’s Cloud Atlas. California: Stanford University Press, 2019. 272 pp. ISBN: 9781503609365.
Rua, Joana
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'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946) [PDF]
, 2009 This paper examines the prestige ‘shocker’ The Spiral Staircase (1946), suggesting that it challenges the perception of the decline in quality in the horror genre in the 1940s, as well as assumptions in scholarship that the genre has historically been ...
Snelson, Tim
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MatLit, 2016 A review of Elena Pierazzo, Digital Scholarly Editing: Theories, Models and Methods, Farnham, UK: Ashgate, 2015. 252 pp. ISBN-13: 978-1472412119.
Portela, Manuel
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Refining our Concept of ‘Access’ for Digital Scholarly Editions: A DiXiT Panel on Accessibility, Usability, Pedagogy, Collaboration, Community and Diversity [PDF]
, 2017 The Digital Scholarly Editions Initial Training Network (DiXiT) is a Marie Sk odowska-Curie EU-Funded 7th Framework Programme. During the grant period (2013- 2017), twelve Early Stage Research Fellows and five Experi- enced Research Fellows engage with ...
Bleeker, Elli +5 more
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Distant Listening or Playing Visualisations Pleasantly with the Eyes and Ears
Digital Studies, 2013 From Virgil Thomson’s 1934 musical score for Gertrude Stein’s opera Four Saints in Three Acts, to readings of The Making of Americans (1925) using digital tools, artists and scholars have used musical composition and computational tools to help express ...
Tanya Clement
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