Results 21 to 30 of about 27,530 (141)
Effet de présence et non-représentation dans le théâtre contemporain [PDF]
, 2008 Cet article explore les mécanismes de réception de certaines formes théâtrales qui semblent effacer l’expérience du sens pour plonger le spectateur dans l’expérience des formes pures de la scène.
Dospinescu, Liviu
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Le Black Theatre Workshop de Montréal : un nouveau bilan [PDF]
, 2001 Même si la présence des Noirs au Québec remonte à l’époque de la Nouvelle-France, leur histoire demeure méconnue. Dans cet article, l’auteur tâche de remédier à cette lacune, en partie du moins, en dressant le portrait
Bayne, Clarence
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Le langue-à-langue de Daniel Danis : une parole au corps à corps [PDF]
, 2007 Cette étude se penche sur la situation contemporaine de l’écriture dramatique au Québec, en s’intéressant plus particulièrement à quelques textes de théâtre de Daniel Danis : Celle-là (1993), Cendres de cailloux (2000 [1992]) et Le chant du Dire-Dire ...
David, Gilbert
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Filles d’Ismaël, dans le vent et la tempête (préface et acte I) [PDF]
, 2001 Filles d’Ismaël, dans le vent et la tempête (préface et acte ...
Djebar, Assia
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Social Anthropology, Volume 27, Issue 4, Page 609-625, November 2019., 2019 This paper offers a new perspective on the relationship between the contested terrain of race and the politics of heritage and belonging in postcolonial Europe. Presenting material from the Netherlands, I argue that instead of reproducing the dyadic white‐majority–black‐minority framework, we must situate the negotiation of race in the triangular ...
Marleen de Witte
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Performance in "Noir et Blanc": Le Chevalier de Saint-Georges in Theatre
Alternative FrancophoneIf we consider Le Chevalier de Saint-Georges (also known as Joseph Boulogne or Boullongne 1745-1799) – a decorated military hero whose swordsmanship, fighting and athletic acumen were unparalleled, a contemporary of Mozart whose musical, composing and ...
Donia Mounsef
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Le cadavre à l’intersection du théâtre et du cinéma dans Lilies et Being at home with Claude [PDF]
, 2001 Le cadavre offre une analogie évocatrice des rapports entre la scène et l’écran. En effet, le cadavre incarne à la fois la nature imaginaire du cinéma et le caractère paradoxal du jeu théâtral. L’auteur analyse deux
Loiselle, André
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Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni
Future Humanities, Volume 4, Issue 1, May 2026.ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
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Gender &History, Volume 38, Issue 1, Page 289-306, March 2026.Abstract This article deals with anxiety about and the shaming of modern urban mothers and wives on the mines of the late colonial Central African Copperbelt. Women's various labours and public presence lead to ambivalent depictions, such as the ‘careless mother’, that were part of a broader array of anxieties about women's autonomy on the mines ...
Stephanie Lämmert
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The McKinleys of Punch: Politics and the Press in Melbourne, 1870s to 1920s
Australian Journal of Politics &History, Volume 72, Issue 1, Page 35-68, March 2026.This article re‐examines the Melbourne Punch (1855–1925; known simply as Punch from 1900) as a political weapon in the cut‐and‐thrust of Victorian, local, and national politics, in the hands of its longest‐serving, but least‐known proprietor, Alexander McKinley (1848–1927).
Richard Scully
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