Results 21 to 30 of about 138,241 (131)
Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni
Future Humanities, Volume 4, Issue 1, May 2026.ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
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Social Anthropology, Volume 27, Issue 4, Page 609-625, November 2019., 2019 This paper offers a new perspective on the relationship between the contested terrain of race and the politics of heritage and belonging in postcolonial Europe. Presenting material from the Netherlands, I argue that instead of reproducing the dyadic white‐majority–black‐minority framework, we must situate the negotiation of race in the triangular ...
Marleen de Witte
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Gender &History, Volume 38, Issue 1, Page 289-306, March 2026.Abstract This article deals with anxiety about and the shaming of modern urban mothers and wives on the mines of the late colonial Central African Copperbelt. Women's various labours and public presence lead to ambivalent depictions, such as the ‘careless mother’, that were part of a broader array of anxieties about women's autonomy on the mines ...
Stephanie Lämmert
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Dire l'(après)attentat : enjeux formels de "Bruxelles, printemps noir"
, 2021 La présente contribution revient sur le geste de réécriture spécifique qui a présidé à la genèse du texte "Bruxelles, printemps noir" de Jean-Marie Piemme, monté par Philippe Sireuil en 2018.
Jean-Marie Piemme. Quel théâtre pour le temps présent ? +1 more
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The McKinleys of Punch: Politics and the Press in Melbourne, 1870s to 1920s
Australian Journal of Politics &History, Volume 72, Issue 1, Page 35-68, March 2026.This article re‐examines the Melbourne Punch (1855–1925; known simply as Punch from 1900) as a political weapon in the cut‐and‐thrust of Victorian, local, and national politics, in the hands of its longest‐serving, but least‐known proprietor, Alexander McKinley (1848–1927).
Richard Scully
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, 2016 International audienceThis study proposes ahistorical and aesthetic travel through the colour black in theater. By giving concrete examples, the book reflects this evolution and establishes darkness as a light among the stage’s components.Cette étude est
Perruchon, Veronique
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Orbis Litterarum, Volume 81, Issue 1, Page 1-10, February 2026.Zusammenfassung Der Beitrag untersucht Formen und Wege des Kulturtransfers zwischen Frankreich und Österreich, bzw. Deutschland, im Bereich der Pantomime, insbesondere unter dem Blickwinkel der „Texttheatralität“ (Poschmann). Bei vielen deutschsprachigen Pantomimenautoren ist die Begegnung mit der Pariser Pantomime, die 1888 mit der Gründung des ...
Catherine Mazellier‐Lajarrige
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JAPAN ARCHITECTURAL REVIEW, Volume 9, Issue 1, January–December 2026.ATBAT, known as Le Corbusier's design office for the Marseille Unité d'habitation, functioned as an international exchange organization. Four key members—Bodiansky, Candilis, Hanning, and Banshoya—contributed to postwar reconstruction while developing independent planning theories.
Kosuke Matsubara
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Translation awards in the Nordic countries: A comparative approach
Orbis Litterarum, Volume 80, Issue 4, Page 395-422, August 2025.Abstract Translation awards are an often‐overlooked category of literary awards, with research on them typically concentrating on specific individual awards. This paper adopts a comparative, macro approach to exploring translation awards in the Nordic countries (Sweden, Finland, Norway, Denmark, and Iceland).
Elin Svahn
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Contrainte politique et émergence du théâtre d'ombres
, 2021 En lisant un livre de Mariel Oberthür récemment paru aux éditions Slatkine, Ombre et lumière au théâtre: De Séraphin au Chat noir, je tombe sur ce passage passionnant : Mariel Oberthur, Ombre et lumière au théâtre, Slatkine 2020.
François Fièvre
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