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Abstract Chapter 3 analyses the theatrical productions of classical drama during and after the Second World War, beginning with a critical assessment of the events as artistic phenomena that exercise power and authority. It explores how Italian fascism and German Nazism controlled artistic production and instituted the cultural policy of
Vasileios Balaskas
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Vasileios Balaskas
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Thanatopolitics: Reading in Agamben a Rejoinder to Biopolitical Life
Communication and Critical/ Cultural Studies, 2008“Does he know his sentence?” “No,” said the officer. … “It would be pointless to inform him of it.
Stuart J Murray
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Liberal Thanatopolitics and the HIV/AIDS Pandemic
Alternatives, 2013The strength of Roberto Esposito’s immunitary reading of biopolitics lies in its ability to bring together biopolitics and thanatopolitics without fully collapsing them into each other. However, although Esposito has carefully elaborated the thanatopolitical tendency within Nazi biopolitics, the very idea of liberal thanatopolitics appears to be ...
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The unequal death: A study on the thanatopolitics of disability in Italy
Sociologia Del Diritto, 2022Ciro Tarantino, Maria Giulia Bernardini
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From Death Penalty to Thanatopolitics
Philosophy Today, 2019Drawing from the works of Carl Schmitt, Michel Foucault, Giorgio Agamben, and Jacques Derrida, this article offers a theory of political theology for the contemporary Western liberal nation-state. Taking as its starting point the death penalty, it presents a triune theory of governance—what I call Trinitarian Governmentality—which exposes the ...
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