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The Debate in The Brothers Karamazov
The Slavic and East European Journal, 1970of the peasants with his quick tongue, and setting the market women into an uproar. But at the end he encounters one peasant, slightly drunk, who answers his schoolboy rudeness with simple dignity, and Krasotkin is quite discomfited. "There are all sorts of peasants. . . . How could I tell I had hit on a clever one?
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1988
Dostoevsky’s last novel is also his greatest, and among the greatest of all novels. Its moral passion has a sublime grandeur, its story a sensational, stark beauty. A passionate simplicity marks its delineation of character, while its themes — religious faith and doubt, love and rebellion, disintegration and renewal, and, above all, the terrible ...
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Dostoevsky’s last novel is also his greatest, and among the greatest of all novels. Its moral passion has a sublime grandeur, its story a sensational, stark beauty. A passionate simplicity marks its delineation of character, while its themes — religious faith and doubt, love and rebellion, disintegration and renewal, and, above all, the terrible ...
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The Brothers Karamazov and the theology of suffering
Studies in East European Thought, 2022Elena Namlı
exaly
Theist–Atheist Encounters in Les Misérables, The Brothers Karamazov, and The Plague
Religions, 2021Peter Admirand
exaly
The Structure of the Brothers Karamazov
The Slavic and East European Journal, 1970Sven Linner, Robert L. Belknap
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