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The Duchess of Malfi管見Some of the next articles are maybe not open access.
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Shakespeare Bulletin, 2020
Comme tous les clefs-concours de littérature anglophone, l’ouvrage est structuré en quatre parties :Repères : le contexte historique et littéraire.Thématiques : comprendre les enjeux du programme.Ouvertures : pistes de réflexion personnelle.Outils : pour retrouver rapidement une définition, une idée ou une référence.SOMMAIRE.
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Comme tous les clefs-concours de littérature anglophone, l’ouvrage est structuré en quatre parties :Repères : le contexte historique et littéraire.Thématiques : comprendre les enjeux du programme.Ouvertures : pistes de réflexion personnelle.Outils : pour retrouver rapidement une définition, une idée ou une référence.SOMMAIRE.
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2000
In The Duchess of Malfi, John Webster reworked the idea of a female tragic protagonist explored in his earlier and less well-received play, The White Devil. In the play, Webster’s character is a widow who decides to remarry, thus dramatizing a situation of social and family conflict, which reveals the problematics of gender hierarchy both in the family
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In The Duchess of Malfi, John Webster reworked the idea of a female tragic protagonist explored in his earlier and less well-received play, The White Devil. In the play, Webster’s character is a widow who decides to remarry, thus dramatizing a situation of social and family conflict, which reveals the problematics of gender hierarchy both in the family
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John Webster The Duchess of Malfi
2014General Editors' Preface Preface 1. The Text and Early Performances 2. Commentary 3. The Play's Sources and Cultural Context 4. Key Productions and Performances 5. The Play on Screen 6.
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