Results 41 to 50 of about 2,034 (131)

Tragic Vision in the Age of Shakespeare [PDF]

open access: yes, 1964
The following essays - investigative, critical, or interpretativee -were selected from the 1964 Senior Seminar in English. It was the primary purpose of this Seminar to penetrate into the three types of tragedy written during the Elizabethan and Jacobean
Fredman, Mr.   +6 more
core   +1 more source

Spartan Daily, October 22, 1946 [PDF]

open access: yes, 1946
Volume 35, Issue 14https://scholarworks.sjsu.edu/spartandaily/3800/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
core   +3 more sources

Shakespeare and the Landscape of Death: Crossing the Boundaries of Life and the Afterlife [PDF]

open access: yes, 2012
This essay explores how denying or ignoring the meanings of the spaces scripted for the dead, or “deathscapes” as anthropologist Lily Kong calls them, can lead Shakespeare’s characters to a spiritual death as well as a bodily one.
Sharon Emmerichs
core   +1 more source

Review of "Six Renaissance Tragedies" by Gibson [PDF]

open access: yes, 1999
Review of Colin Gibson's book "Six Renaissance Tragedies" (Basingstoke: MacMillan, 1997). Daalder believes that Gibson has been unsuccessful in breaking new ground or bringing valuable work already done by others together in this ...
Daalder, Joost
core  

Review of "Revenge Tragedy" by Simkin [PDF]

open access: yes, 2002
Review of Steve Simkin's book "Revenge Tragedy" (Houndsmill: Palgrave, 2001). Daalder explains that the title of this anthology of previously published 'contemporary critical essays' is in part misleading because some of the major revenge tragedies one ...
Daalder, Joost
core  

Staging the Self: Storytelling and Self-Narration in Christopher Marlowe’s Tamburlaine the Great and John Webster’s The Duchess of Malfi

open access: yesDruštvene i Humanističke Studije, 2020
This paper examines the use of dramatic techniques of storytelling and self-narration on the English stage in the late 16th and early 17th centuries, with an emphasis on Christopher Marlowe’s Tamburlaine the Great and John Webster’s The Duchess of Malfi.
Demir Alihodžić
doaj  

Senses of Unending in the Work of Sir John Davies [PDF]

open access: yes, 2003
Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej ...
Hansen, Adam
core  

The Playhouse Effect: John Webster, Deixis and Story-Telling in the Theatres of Jacobean London

open access: yesAtlantis
The recent (2014) inauguration of the Sam Wanamaker Playhouse, a reconstruction of an archetypal Jacobean indoor playhouse, on London’s Southbank, has led students and scholars of early modern theatre once again to focus attention on original playhouse ...
David J. Amelang
doaj   +1 more source

La obra de Giraldi Cinzio a través de sus traducciones [PDF]

open access: yes, 1999
En el presente artículo se ofrecen todas las traducciones que de todo el copus giraldiano se han realizado partiendo desde el mismo s. XVI. Se hace hincapié en la importancia de la labor del traductor pues las traducciones de toda obra son un vehiculo ...
Romera Pintor, Irene
core  

Spartan Daily, November 7, 1946 [PDF]

open access: yes, 1946
Volume 35, Issue 26https://scholarworks.sjsu.edu/spartandaily/3812/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
core   +4 more sources

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