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XXVIII. The Pahlavi Text of Yasna I, for the First Time Critically Translated

Journal of the Royal Asiatic Society, 1904
While I celebrate (my sacrifice) I invite (in this announcement) the Creator, Aūharmazd: [I invite Him to this Yasna sacrifice; and I will invite Him continuously on. That is to say, I would now make the beginning of it, and I (will) complete it, that is, I will perform its conclusion].
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XIV. —The Pahlavi Text of Yasna XIX, 12–58, for the first time critically translated.

Journal of the Royal Asiatic Society of Great Britain & Ireland, 1904
Zartūšt asked of Aūharmazd thus: O Aūharmazd, Spirit (good) and bountiful, Creator of the bodily worlds, holy, …. [this (is: hanā=aē for aēγ, that is to say, the meaning is this), that it is Aūharmazd (who is) the holy Creator, not merely ‘ the bodily worlds’ which are holy; the rest is for (ordinary) praise. Some (text) says (i.e.
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The Continuity of Residential Architecture of Meybod from Al-Mozaffar to the First Pahlavi Period

در این نوشتار، ویژگی‌های دوره‌های شاخص معماری میبد، از جمله آل مظفر، صفوی، قاجار و پهلوی اول، مورد بررسی قرار گرفته است. ساخت‌وساز در نظام سنتی و ارگانیک شهرهای کهن، غالباً تابع دو ویژگی فراگیر و تأثیرگذارِ انسجام و تداوم تاریخی بوده است؛ به‌گونه‌ای که می‌توان این دو رکن نظری را ذیل مفهومی کلی با عنوان «تداوم» جمع‌بندی کرد.
Hemmatpour, Abdolmahdi   +2 more
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Explaining the causes of the evolution of residential buildings facade of the first Pahlavi period in Shiraz

از مهم­ترین اجزا و عناصر کالبدی شهری که به ویژه در نسبت با شهروند و تقویت حس مکان در فضای شهری مؤثر واقع می­گردد، «نما» است. دگرگونی­های سده اخیر، همزمان با اوایل عصر پهلوی در ایران و نفوذ کشورهای غربی و شوروی، باعث تغییرات اساسی در معماری ایران و من­جمله نمای بناهای مسکونی گردید.
Khosravi poor, Sedighe   +3 more
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III. The Pahlavi Texts of Yasna LXX (Sp. LXIX), for the first time critically treated

Journal of the Royal Asiatic Society of Great Britain & Ireland, 1908
To those (Supreme Persons) do I sacrifice; to them do I come on for friendly aid, who are the Amešaspentas, who rule aright, who establish (all things) well; (2) and to that Chief would I take up (or ‘celebrate’ my song), to that God and ritual Chief do I sacrifice who is Auharmazd, (3) the Creator, the Rejoicer, the Producer of every benefit.
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A Comparative Study of School Architecture in East Azerbaijan Province During the First Pahlavi Era

International Journal of Architecture and Urban Development,15(4),
Mohajer, Mehdi   +3 more
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The Cultural, Social, and Urban Impacts of Establishing and Founding Baladiyeh in the First Pahlavi Era in the Astarabad Region

Journal of Social-Political Studies of Iran's Culture and History
Astarabad, known today as Gorgan, emerged as a military fortress in northern Iran during the Sasanian era and has always been recognized as one of the important cities and centers in northern Iran. The settlement of various ethnic groups, including Persian, Turkmen, Turk, Kurd, Baluch, Sistani, Kazakh, Khorasani, etc., who gradually migrated to this ...
Ahmad Sardarzadeh Majd   +2 more
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IV The Pahlavi Text of Yasna LXXI (Sp. LXX), 38–97, for the First time Critically Treated

Journal of the Royal Asiatic Society of Great Britain & Ireland, 1909
(39) I sacrifice to the power, success, glory, and swiftstrength of all those words of the sacred offering. (40) And I Sacrifice to all the waters, in springs, and to those flowing free; (hardly “from the hills”, literally “running”,srao-= Έrao-, “in their flow”).
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