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The Grotesque and the Modern Grotesque
1989The source of the grotesque in art and literature is man’s capacity for finding a unique and powerful fascination in the monstrous. The psychic reasons for this proclivity are far from clear, but the proclivity itself has left its mark on a wide variety of cultures, from prehistory to the present, from the most primitive societies to the most ...
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Spectacles of Success and the Grotesque
The International Journal of Critical Cultural StudiesThis article critically examines Shashi Tharoor’s Show Business as a postcolonial satire that interrogates the spectacle of fame, the illusion of merit, and the ideological construction of success in contemporary India.
Jebaraj Kabriel, J. Raj
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The Grotesque Initials in the Alamire Choirbooks
Journal of the Alamire Foundation, 2019Among the most distinctive visual aspects of the Alamire manuscripts are the initials that incorporate grotesque male heads.
A. As-Vijvers
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2020
The portrayal of dysmorphologies, monsters, and other grotesques entered the horror category early, and the films were filled with exploitation, gruesomeness, and degeneracy. Physicians must be intrigued by the underlying nature of the major anomalies depicted on the screen.
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The portrayal of dysmorphologies, monsters, and other grotesques entered the horror category early, and the films were filled with exploitation, gruesomeness, and degeneracy. Physicians must be intrigued by the underlying nature of the major anomalies depicted on the screen.
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Analysis of Leigh Bowery’s works through Bakhtin’s discourse on the grotesque body
The Research Journal of the Costume Culture, 2018The body is an important object of costume expression, and the reflection of the aesthetics of the body according to age, culture, individual or group determines the form of the costume.
Hyun Jung Kim, Eunhyuk Yim
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CARNIVAL AND THE GROTESQUE IN JAMES JOYCE’S ULYSSES
The Journal of English Language and Literature, 2018Carnival originates from the Latin word “carnem levere” which means “to take away or remove meat.” The Encyclopaedia Britannica defines “carnival” as “the merrymaking and festivity that takes place in many Roman Catholic countries in the last days and ...
Dr Nisha Francis Alapatt
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Psychology of Aesthetics, Creativity, and the Arts, 2023
Annika K. Karinen +3 more
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Annika K. Karinen +3 more
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DEPICTIONS OF THE GROTESQUE BODY
The Classical Review, 2023Alexandre G. Mitchell
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2021
À partir de l’analyse de P’tit Quinquin (2014), de Ma Loute (2016) et de Coincoin et les Z’inhumains (2018) ce texte revient sur l’importance du grotesque et sa double tonalité comique et angoissante employée par Bruno Dumont. Présente dans son aspect sombre dans les films précédents de ce cinéaste, cette dimension permet à ce dernier d’expérimenter et
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À partir de l’analyse de P’tit Quinquin (2014), de Ma Loute (2016) et de Coincoin et les Z’inhumains (2018) ce texte revient sur l’importance du grotesque et sa double tonalité comique et angoissante employée par Bruno Dumont. Présente dans son aspect sombre dans les films précédents de ce cinéaste, cette dimension permet à ce dernier d’expérimenter et
openaire +1 more source