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The headless woman in contemporary Chinese art
Journal of Contemporary Chinese Art, 2014Abstract In this article, selected works by four Chinese artists who emerged towards the end of the twentieth century are examined. The works have in common the motif of the headless woman. This motif is explored within the historical timeframe in which they have lived, trained, emerged as professional artists and produced these works ...
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The headless woman illusion and the defence of materialism
Analysis, 1968Armstrong D M
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Cinema of Walten: Alterity and Worldhood in Lucrecia Martel’s The Headless Woman
exaly +2 more sourcesRealities Made to Order: On The Headless Woman
2022This chapter analyses the resources and procedures used in the narrative of The Headless Woman, in order to offer an approach to perception and ‘reality’ as instances resulting from construction processes. Through modes of representation of time and space, the organization of transitions between shots, the relationship between the ...
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MFS Modern Fiction Studies, 2013
Jane Garrity’s essay argues that Olive Moore’s neglected masterpiece, Spleen , uses the idea of reproduction—both formally and thematically—as a metaphor and foundation for a completely new model of creative practice. Drawing from recent feminist theory on experimental literary form and from conceptual frameworks within disability studies, Garrity ...
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Jane Garrity’s essay argues that Olive Moore’s neglected masterpiece, Spleen , uses the idea of reproduction—both formally and thematically—as a metaphor and foundation for a completely new model of creative practice. Drawing from recent feminist theory on experimental literary form and from conceptual frameworks within disability studies, Garrity ...
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2022
This chapter explores the particularities of the soundtrack in Zama and The Headless Woman, taking into consideration some techniques in the use of sound effects and ambient sounds that are employed repeatedly. It pays special attention to the offscreen sounds, which build the world as the presence/absence of the other, in addition to showing ...
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This chapter explores the particularities of the soundtrack in Zama and The Headless Woman, taking into consideration some techniques in the use of sound effects and ambient sounds that are employed repeatedly. It pays special attention to the offscreen sounds, which build the world as the presence/absence of the other, in addition to showing ...
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Poetics of Debt: Disruptive Realism in Bamako and The Headless Woman
2020This chapter begins with an overview of the academic literature on the social consequences of neoliberal debt regimes. There is a discussion of how documentary realism is used in Abderrahmane Sissako’s Bamako (2006) to foreground the heightened antagonisms between creditors and debtors in the neoliberal era.
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