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The Hobbit hyperreality paradox: Polarization among audiences for a 3D high frame rate film
Convergence, 2017Ann Hardy, Craig Hight, Carolyn Michelle
exaly
Watching The Hobbit in Aotearoa/New Zealand: the affective resonance of landscape, race and greed
Studies in Australasian Cinema, 2020exaly
The economic impact of on-screen tourism: The case of The Lord of the Rings and the Hobbit
Tourism Management, 2017Christine Lundberg +2 more
exaly

