Results 231 to 240 of about 231,380 (292)
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European Journal of Cultural Studies, 2002
This article analyses German press coverage of the 1998 football World Cup as a site for discursive constructions of German national identity. It proposes that references to National Socialism and right-wing thought in 1998 were made through reports which presented Germany today as the antithesis of the country pre-1945.
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This article analyses German press coverage of the 1998 football World Cup as a site for discursive constructions of German national identity. It proposes that references to National Socialism and right-wing thought in 1998 were made through reports which presented Germany today as the antithesis of the country pre-1945.
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The Sasanian and Gupta empires and their struggle against the Huns
Masters of the Steppe: The Impact of the Scythians and Later Nomad Societies of Eurasia, 2020H. Bakker
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Twentieth-Century Literature, 2011
For Home and Country: World War I Propaganda on the Hone Front by Celia Malone Kingsbury University of Nebraska Press, 2010. 309 pages Yesterday's propaganda always looks obvious, unpersuasive, and shameful in its attempts to exploit fear and manipulate a people's hearts and minds.
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For Home and Country: World War I Propaganda on the Hone Front by Celia Malone Kingsbury University of Nebraska Press, 2010. 309 pages Yesterday's propaganda always looks obvious, unpersuasive, and shameful in its attempts to exploit fear and manipulate a people's hearts and minds.
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The Huns appear in the Volga-Don steppes in the late fourth century ce, bringing with them Inner Asian traditions of war and statecraft. After subduing the Alans, the Huns overwhelmed the Goths, sending waves of refugees toward the Roman frontier on the Danube.
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The Reinvention of Iran: The Sasanian Empire and the Huns
, 2014Richard E. Payne
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The Steppe World and the Rise of the Huns
, 2014E. Vaissière, M. Maas
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Megadroughts, ENSO, and the Invasion of Late-Roman Europe by the Huns and Avars
, 2013E. Cook
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The Coming of the ‘Horrible Hun’
2012Positive depictions of Wilhelm II continued to appear in Punch and Judy for many months after his departure from British shores in 1901. As late as October, 1902 (Wilhelm having returned for a shooting holiday with his uncle), George Hebblethwaite could depict a lounge-suited Kaiser enjoying port and cigars with John Bull, and refusing to see a scruffy
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